A Quote by James Purefoy

We start off wearing frilly shirts and britches and being good guys and the heroes. And then as time goes on, every English actor ends up playing bad guys. That's what we do.
The myth of Good Guys and Bad Guys is one of the most pervasive we own, and morally grey anti-heroes are simply one of modern fiction's attempts to shake off that mythology and replace it with something a bit more honest.
You know, the best-laid plans of mice and men... I like playing bad guys, and I don't have a problem doing that. They're interesting characters, and there's as many different kinds of bad guys as there are good guys - they're rich, they're strong, they're powerful, and so that's fine with me.
I find actors who play nasty guys in movies are the nicest guys in real life, and the opposite then goes for heroes.
I love westerns. It's guys being guys. There's no room for frilly stuff.
Im a good guy. I love playing bad guys, but good guys that have a good thing going on, I like that, too. I dont like passive good guys.
Many intellectuals in America and in Europe, they are in the habit of taking sides: who are the bad guys? who are the good guys? They launch a demonstration against the bad guys, sign a petition in favor of the good guys, and going to sleep feeling well about themselves.
When you think about the guys who started Twitter, and the Google guys, and the Facebook guys and the Napster guys, and the Microsoft guys, and the Dell guys and the Instagram guys, it's all guys. The girls, they're being left behind.
I'm a good guy. I love playing bad guys, but good guys that have a good thing going on, I like that, too. I don't like passive good guys.
I like to play bad guys, since good guys are always beaten up several times during the movie. Bad guys are beaten only once, in the end.
I think most actors probably enjoy playing the bad guy. I think it's the fact that most of the time, heroes aren't written with enough interesting qualities or flaws, and that leads to the bad guys being almost the runaway train, as far as being more interesting for the audience to watch.
It was probably easier in the old days when the bad guys rode into town wearing black capes or whatever bad guys wore and the milk cows were ownded by honest people. Right off the bat, you'd know who you were dealing with. Now everybody dresses alike.
You want to believe in black and white, good and evil, heroes that are truly heroic, villains that are just plain bad, but I've learned in the past year that things are rarely so simple. The good guys can do some truly awful things, and the bad guys can sometimes surprise the heck out of you.
Many intellectuals in America and in Europe, they are in the habit of taking sides: who are the bad guys? who are the good guys? They launch a demonstration against the bad guys, sign a petition in favor of the good guys, and going to sleep feeling well about themselves. This is not the case here. The Israeli-Palestinian conflict is a tragedy; it is a clash between right and right.
I used to think I knew what was right and what was wrong, and who the good guys are, and who the bad guys are. Then the world got very gray, and I didn't know anything for a long time
You don't want to make performances; you want to make people. When a project knows, 'Okay, my bad guys need to be a little sympathetic, and my good guys need to have a bit of a mean streak,' you're off to a good start.
When you get guys coming up to you in clubs or restaurants or somewhere, and they say how much they've enjoyed your playing on records, then that pays off dividends every day; every time they say it, you think, 'I'm glad I did that.'
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