A Quote by James Wright
I write abundantly. And then my next step is to struggle to reduce the ornament, to reduce the abundance-to prune the book, in other words, the way one prunes a tree-so it can grow. This is my idea of a book.
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The way I write is this: I write about a thousand words a day, a little bit more. The next morning, I read those thousand words and cursorily edit that. Then I write the next thousand. I do that all the way to the end of the book and then I reread the book quite a few times, editing as go through.
I learned in America a long time ago, the three R's, the principle of three R's - reuse, reduce, recycle. And as I say those words, there are so many things individually we can do to reduce - we don't need to consume as much as we are consuming. Reduce. And by reusing, we can reuse a lot of things we just throw into the dumpsite. And reduce the production. The more we reuse, the more we can reduce.
I've tried to reduce profanity but I reduced so much profanity when writing the book that I'm afraid not much could come out. Perhaps we will have to consider it simply as a profane book and hope that the next book will be less profane or perhaps more sacred.
It's always a better choice to write a new book than it is to keep pounding your head against the submissions wall with a book that's just not happening. The next book you write could be the book, the one that isn't a fight to get representation for at all.
The apples stewed with prunes are excellent, except for the prunes, I won't eat prunes myself. Well, there was one time when Hobb chopped them up with chesnuts and carrots and hid them in a hen. Never trust a cook, my lord. They'll prune you when you least expect it.
It's a very powerful, emotional thing to read a book, and to reduce it to a series of questions in a test strips something away from the book.
The way to write a book is to actually write a book. A pen is useful, typing is also good. Keep putting words on the page.
Let's put it this way: if you are a novelist, I think you start out with a 20 word idea, and you work at it and you wind up with a 200,000 word novel. We, picture-book people, or at least I, start out with 200,000 words and I reduce it to 20
Let's put it this way: if you are a novelist, I think you start out with a 20 word idea, and you work at it and you wind up with a 200,000 word novel. We, picture-book people, or at least I, start out with 200,000 words and I reduce it to 20.
I write in a very peculiar way. I think about a book for 25 or 30 years in a kind of inchoate way, and at one point or another, I realize the book is ready to be written. I usually have a character, a first line, and general idea of what the book is going to be about.
It's scary to make major changes, but we usually have enough courage to take the next right step. One small step and then another. That's what it takes to raise a child, to get a degree, to write a book, to do whatever it is your heart desires.
When I really want to learn about something, I write a book on it. Then the real research begins, as I begin to hear people's stories, and huge amounts of information begins to comes straight to my doorstep. Then I can write an even better book the next time!
Great nations write their autobiographies in three manuscripts - the book of their deeds, the book of their words and the book of their art.
You have to surrender to your mediocrity, and just write. Because it's hard, really hard, to write even a crappy book. But it's better to write a book that kind of sucks rather than no book at all, as you wait around to magically become Faulkner. No one is going to write your book for you and you can't write anybody's book but your own.
The only way to write a book, I’m fond of telling people, is to actually write a book. That’s how you write a book.
I like the quiet it takes to pursue an idea the way I pursued 'Hamilton,' but I couldn't write a book, because there's no applause at the end of writing a book.
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