A Quote by James Righton
We want our audience to enjoy themselves, we want every gig to feel like an event - of course there are musical elements of rave to our sound, but we wouldn't strictly classify ourselves as that.
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People want to feel united, they want to have that religious sense they want to feel like at a rave 10,000 people at the rave are feeling the same emotions, a very primal need that's not being fulfilled in the world today.
For me, I just want to feel great. But carrying the extra pounds started to weigh me down - literally. I want to encourage moms to feel good about themselves. I think it's important to empower ourselves. We have kids and we love our kids. But we still have ourselves. And I want to feel like the best version of myself. That's why I turned to Nutrisystem.
So it's one of those things where we have to - our problem is pacing ourselves and still reaching a large enough number of our audience. Because we don't want to burn the audience. And we don't want to be excluding anybody.
When you're on tour. there's a contract between you and the audience: do what you want, as long as you do what we want. You're having to play with the past at every gig.
When we talk about ourselves, about others, or simply about things, we want- it could be said – to reveal ourselves in our words: We want to show what we think and feel. We let other have a glimpse into our soul.
Human beings don't want to just enjoy something by themselves. They want to share that emotion - they want everyone around them to enjoy it like they enjoy it or hate it like they hate it. That's what makes a video spread.
Our parents, our children, our spouses, and our friends will continue to press every button we have, until we realize what it is that we don't want to know about ourselves, yet. They will point us to our freedom every time.
The Islamic State does not want us to open our doors to their refugees. It wants them to be hopeless and desperate. It does not want us to enjoy ourselves with our families and friends in bars and concert halls, stadiums and restaurants. It wants us to huddle in our houses, within our own social groups, and close our doors in fear.
Our main way of relating ourselves to others is like things relate themselves to things on the market. We want to exchange our own personality - or as one says sometimes, our "personality package" - for something.
Architecture produces a musical mood in our inner being, and we notice that even though the elements of architecture and music appear to be so alien in the outer world, through this musical mood engendered in us, our experience of architecture brings about a reconciliation, a balance between these two elements.
I don't want nations feeling like that they can bully ourselves and our allies. I want to have a ballistic defense system so that we can make the world more peaceful, and at the same time I want to reduce our own nuclear capacities to the level commiserate with keeping the peace.
Our industry holds a musical perception about each emotion that we depict in our narrative. As music composers, our job is either to cater to that particular need or give it a contrast that grows on the audience in a way that it begins to sound more universal, than just obvious and expected.
We want people to take care of themselves. We want people to provide for themselves. We want people to enjoy the fruits of their labors. We want people to enjoy reaching out and making their dreams come true. We want people to realize their life's dreams and passions. You need a growing economy for this.
Sometimes the fans want it both ways, of course. They want to feel like they're influencing the show, and at the same time, they want to think that showrunners have the story all mapped out in our brains. But it can't be both. In truth, we were usually far ahead of the fan feedback.
We do what we want to do. We write songs. We try not to repeat ourselves too much. We have our own sound and our own way of doing things. Up until now it has always been enjoyable. None of the members have ever got to the point where they don't want to be involved in it ... It's not entirely possible for me to stand back and look at the Rolling Stones because being a part of it you can't. I wish that I could just sit in the audience for one night and see the show. Everyone in the band has said that at some point. But then you wouldn't be seeing the whole band. And that's the problem with that.
What gets people into trouble with records now is that they want to build something up without substantial musical ideas. Without that as a foundation, you can add all the layers of sound you want - it's still going to sound like a mess.
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