A Quote by James Russell Lowell

The story of any one man's real experience finds its startling parallel in that of every one of us. — © James Russell Lowell
The story of any one man's real experience finds its startling parallel in that of every one of us.
Walt Disney was a story man, and he knew that we were thinking story. That's why he dug us so much and he hired us to work for him. We always thought about the story. That was more important than any words and any music. That's all it's about.
I don't think life offers any greater experience than the joyful sense of recognition when one finds in a new acquaintance a real friend, or when an old relationship deepens into friendship, or when one finds an old friendship intact despite the passage of years and many absences.
After all, it was only a story,' I said, determined to prove her wrong. 'All manner of terrible things may happen in a story. They may be startling at the time, but it passes. One gets caught up in the narrative, but the dangers aren't real, are they? Things happen in any way the storyteller chooses. It is all just made up.
It's like fiction - the fact that somebody's telling you a story about people who didn't exist doesn't make the experience of the story any less real in your heart and mind. You go through heavy emotional responses to these stories, and wrestling is a similar thing - but it's happening in real space.
The fact that somebody's telling you a story about people who didn't exist doesn't make the experience of the story any less real in your heart and mind.
So the best marriages and the deepest relationships with God grow out of the startling discovery that there is nothing one can do to earn love, and even more startling, that there is also nothing one can do to unlearn it, or to keep oneself from being loved. This is a religious awakening that is utterly different from any other religious experience, no matter how profoundly spiritual it may seem.
If the point of life is the same as the point of a story, the point of life is character transformation. If I got any comfort as I set out on my first story, it was that in nearly every story, the protagonist is transformed. He's a jerk at the beginning and nice at the end, or a coward at the beginning and brave at the end. If the character doesn't change, the story hasn't happened yet. And if story is derived from real life, if story is just condensed version of life then life itself may be designed to change us so that we evolve from one kind of person to another.
I write - and read - for the sake of the story... My basic test for any story is: 'Would I want to meet these characters and observe these events in real life? Is this story an experience worth living through for its own sake? Is the pleasure of contemplating these characters an end itself?
This New Age is marking the dawn of a new world-thought. That new thought is a new cosmic concept of the value of man to man. The whole world is discovering that all mankind is one and that the unity of man is real – not just an abstract idea. Mankind is beginning to discover that the hurt of any man hurts every man, and, conversely, the uplift of any man uplifts every man
Every story is organic, and every story finds its own ending.
What we want is to be real. Let us not appear to be more than we are. Don't let us put on any cant, any assumed humility, but let us be real; that is the delight of God. God wants us to be real men and women, and if we profess to be what we are not, God knows all about us. God hates sham.
If we wish to know about a man, we ask 'what is his story--his real, inmost story?'--for each of us is a biography, a story. Each of us is a singular narrative, which is constructed, continually, unconsciously, by, through, and in us--through our perceptions, our feelings, our thoughts, our actions; and, not least, our discourse, our spoken narrations. Biologically, physiologically, we are not so different from each other; historically, as narratives--we are each of us unique.
Every man finds his limitations, Mr. Holmes, but at least it cures us of the weakness of self-satisfaction.
The basic drive behind real philosophy is curiosity about the world, not interest in the writings of philosophers. Each of us emerges from the preconsciousness of babyhood and simply finds himself here, in it, in the world. That experience alone astonishes some people. What is all this - what is the world? And what are we? From the beginning of humanity some have been under a compulsion to ask these questions, and have felt a craving for the answers. This is what is really meant by any such phrase as 'mankind's need for metaphysics.'
Every project you're involved in and any character that you're invested in ... you learn a message from that experience. I know that sounds a little cheesy, but it's true. Its kind of funny the parallel that I drew from that, you kind of learn something and you get to apply it to the next thing.
Literature is an aspect of story and story is all that exists to make sense of reality. War is a story. Now you begin to see how powerful story is because it informs our worldview and our every action, our every justification is a story. So how can story not be truly transformative? I've seen it happen in real ways, not in sentimental ways or in the jargon of New Age liberal ideology.
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