A Quote by James Rosenquist

It fascinates me to create beautiful paintings with the simplest means. — © James Rosenquist
It fascinates me to create beautiful paintings with the simplest means.
I want to make beautiful paintings. But I don't make beautiful paintings by putting beautiful paint on a canvas with a beautiful motif. It just doesn't work. I expect my paintings to be strong and surprising.
The paintings of Francis Bacon to my eye are very beautiful. The paintings of Bosch or Goya are to my eye very beautiful. I've also stood in front of those same paintings with people who've said, 'let's get on to the Botticellis as soon as possible.' I have lingered, of course.
Theres something in music that fascinates me - how it communicates emotion so immediately. Thats something I wanted in my paintings.
There's something in music that fascinates me - how it communicates emotion so immediately. That's something I wanted in my paintings.
Dance fascinates me, and it is perhaps the most enriching audio-visual realm for a musician. Film-making also fascinates me.
Cinema as a means of expression fascinates me.
Alternate history fascinates me, as it fascinates all novelists, because 'What if?' is the big thing.
When you do a remix, obviously you get a beautiful melody, you get the beautiful vocals - everything is already set up. You already have a base, which means all I gotta to do is create the music behind, 'cuz it's already beautiful.
I'm intrigued with figuring out the places [where] the horrible and the beautiful meet - that aesthetic fascinates me.
Van Gogh was asked how he created such beautiful paintings. He said I dream my paintings and then I paint my dreams.
For me, photography is not a means by which to create beautiful art, but a unique way of encountering genuine reality
I had no interest in music. But now, music means everything to me. I have no words to explain how beautiful music is. It is where you can create everything, like beautiful songs to sad songs to almost anything.
Significant consequences can begin very inconsequentially. That's one thing that fascinates me. The other thing that fascinates me is how accident can undermine something that's unfolding, something that might have played out differently otherwise.
I want to create a thousand paintings, maybe two thousand paintings, as many as I can draw.
I think that people tend to look at the paintings as being resolved or finite. But, to me, a painting can be an index for all of the paintings I've done and all of the paintings I'm going to do. It's like if I'm doing a film of the Olympics, I'm not examining a specific sport; I'm interested in the overall context.
What is real for me are the illusions I create with my paintings. Everything else is quicksand.
This site uses cookies to ensure you get the best experience. More info...
Got it!