A Quote by James Ransone

I try not to be super self-referential about my work because it becomes like navel gazing at a certain point. — © James Ransone
I try not to be super self-referential about my work because it becomes like navel gazing at a certain point.
Laughter... is like a hurricane: once it reaches a certain point, it becomes self-feeding, self-supporting. You laugh not because the jokes are funny but because your own condition is funny.
'Slacker' is so not about navel-gazing.
We must avoid the spiritual disease of the Church that can become self-referential: when this happens, the Church itself becomes sick. It’s true that accidents can happen when you go out into the street, as can happen to any man or woman. But if the Church remains closed onto itself, self-referential, it grows old. Between a Church that goes into the street and gets into an accident and a Church that is sick with self-referentiality, I have no doubts in preferring the first.
One doesn't actually meditate on the navel. The chakra is located about two or three inches below the navel, at that point there is an energy access sphere in the middle of the body.
Producing is the antidote to acting. Producing is practical problem solving all day long. As opposed to endless self-obsession and navel gazing.
Every relationship I've been in becomes long-distance because of work. It's never worked out. It puts an intense strain on the relationship, and at a certain point, it becomes too difficult.
In every decade rock and roll starts to get very serious and navel gazing and kind of self serious and every once and a while it kind of needs a kick in the pants.
I have a horror of being self-indulgent and wasting time, and there is that risk in doing this kind of work. Are you totally deluded in sitting down at a desk every day and trying to write something? Is it self-indulgent, or might it possibly lead to something worthwhile? At a certain point I decided to keep on because I felt like the work was getting better, and I was taking great pleasure in that.
I try not to be but I'm super-neurotic about diet. I'm neurotic about trying not to be neurotic! I'm like every other girl. I have to try really hard my whole life to try to be fit. And I'm super-vain. And I want to wear cute clothes.
A lot of mixed-race stories are these navel-gazing, horrible accounts of mulatto tragedy.
My experience is that the universal is the personal. If you can get past your navel-gazing into the deepest part of yourself as a writer, you find everyone - we're all there.
When I was in college I started writing prose, because a very smart professor asked me what I like to read and I said, "Novels," and she said, "You should be writing them then." Memoir never even occurred to me. I think I was afraid of nonfiction and I was afraid of navel-gazing, and of being seen.
'Alpha' is a very fast-moving book. It doesn't lend itself to laborious introspection and the navel-gazing that some stories can fall prey to.
I try not to be but Im super-neurotic about diet. Im neurotic about trying not to be neurotic! Im like every other girl. I have to try really hard my whole life to try to be fit. And Im super-vain. And I want to wear cute clothes.
Well, after Zombie Birdhouse came out, I toured behind it in the fall of 1982, into the spring, and in the summer in the Far East. At that time, I found my work self-referential; it was getting to be rock songs about a rock singer who lived a rock life on the rock road, and I was starting to wonder what I would be like to rent my own apartment, what it would be like to have a checkbook.
I don't think I've got a problem with nostalgia, because a lot of the time things are self-referential.
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