A Quote by James Turrell
I feel that I want to use light as this wonderful and magic elixir that we drink as Vitamin D through the skin - and I mean, we are literally light-eaters - to then affect the way that we see.
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[My work] is using light as a material to influence or affect the medium of perception. I feel that I want to use light as this wonderful and magic elixir that we drink as Vitamin D through the skin - and I mean, we are literally light-eaters - to then affect the way that we see.
"It is light that reveals, light that obscures, light that communicates. It is light I "listen" to. The light late in the day has a distinct quality, as it fades toward the darkness of evening. After sunset there is a gentle leaving of the light, the air begins to still, and a quiet descends. I see magic in the quiet light of dusk. I feel quiet, yet intense energy in the natural elements of our habitat. A sense of magic prevails. A sense of mystery. It is a time for contemplation, for listening - a time for making photographs. "
We eat light, drink it in through our skins. With a little more exposure to light, you feel part of things physically. I like feeling the power of light and space physically because then you can order it materially. Seeing is a very sensuous act-there's a sweet deliciousness to feeling yourself see something.
I always wanted to make a light that looks like the light you see in your dream. Because the way that light infuses the dream, the way the atmosphere is colored, the way light rains off people with auras and things like that...We don't normally see light like that. But we all know it. So this is no unfamiliar territory - or not unfamiliar light. I like to have this kind of light that reminds us of this other place we know.
The scale of light can be described by numbers called the frequency and as the numbers get higher, the light goes from red to blue to ultraviolet. We can't see ultraviolet light, but it can affect photographic plates. It's still light only the number is different.
First you believe, and then you see the Light. Next you go towards the Light. Soon you are IN the Light. Now you ARE the Light.
Shut your eyes and you will know what I mean by thought entombed in darkness. Light comes through the senses, and not only through the sense of sight. When you see without feeling, you are still partly blind; you lack the inner light that brings awareness. Awareness requires the interplay of every faculty, the use of your entire being as an eye.
I use two concealer shades. I have vanilla and light beige, and I use vanilla on my under eyes - if I have a spray tan, I'll use the light beige instead, it just depends on how light or dark I am. Then I use one shade darker on my face.
The moon looks wonderful in this warm evening light, just as a candle flame looks beautiful in the light of morning. Light within light...It seems to me to be a metaphor for the human soul, the singular light within that great general light of existence.
I've been in the ring with big-muscled heavyweights and cruiserweights, who couldn't punch the skin off a rice pudding, and then I've taken on light welterweights and light middleweights, and they hit hard, and you can see they're not trying.
Those who deal in magic learn to see the world in a slightly differnt light than everybody else.you gain a perspective you had considered before. A way of thinking that would never have occurred to you with out exposure to the things a wizard sees and hears.When you look in to some ones eyes you see them in that other light and for just a second they see you in the same way.
The only reason you feel pain is because you're so busy looking at yourself instead of looking at the wonderful patterns of light. If you become absorbed in the wonderful patterns of light, then there's no pain.
You may be going through a trial so overwhelming that it's borderline unbearable. You want to see the end of the tunnel. Which is only natural, because once we see that little speck of light, we feel we can make it through to the finish. But God's tunnels are often twisting, too complex and dark to see the light for many days. In such settings He says, "In that dark, twisting, seemingly endless period of time, trust Me. Stop running scared! Stop fearing!"
When I enter into nirvikalpa samadhi, most can see this light, or feel it. This light creates very powerful, steady spiritual transformation. The reason you are here is to sit in this light.
Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.
In thinking of light, if we can think about what it can do, and what it is, by thinking about itself, not about what we wanted it to do for other things, because again we've used light as people might be used, in the sense that we use it to light paintings. We use it to light so that we can read. We don't really pay much attention to the light itself. And so turning that and letting light and sound speak for itself is that you figure out these different relationships and rules.
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