A Quote by Jane Goldman
Normally with film, it's normal for the screenwriter to never be seen again after finishing until the premiere.
Related Quotes
It isn't glamorous until after the film is finished, and you are at the premiere and getting your picture on the cover of magazines.
I've enjoyed it, I have seen it once at the premiere in London and it was very nice to be invited there. But I do want to see it again now. I want to sit and watch it as a fan rather than being there at the premiere with all the lights and such.
Where I'm from, you focus on finishing school. Even finishing college is seen as a stretch - you just get a job after school, and that's it.
You travel life has the aspect of a dream. It is something outside the normal, yet you are in it. It is peopled with characters you have never seen before and in all probability will never see again. It brings occasional homesickness, and loneliness, and pangs of longing ... But you are like the Vikings who have gone into a world of adventure, and home is not home until you return.
I think we felt the pressure more at first than this time around. But still you don't want to let anyone down. I never even met Patrick until we had a Christmas party at Ian McKellen's house on the first movie and then I didn't see him again until the premiere.
After finishing my study in Film and Television Institute of India (FTII), I was mentally prepared for the struggle in the film industry.
Having my film premiere in Cannes has always been the ultimate dream for me. It is a combination of the elegance of the festival, the setting and the quality of films that premiere there.
The normal storyline of a horror film or a slasher film is the young, beautiful college folks go camping and get systematically killed by the person in a mask. So that's how it normally is.
I met Michael Snow and Stan Brakhage the second day after I arrived, you know. I had never seen or heard of Brakhage. For me, it was a revolution, because I was well educated in film, but American-style experimental film was known to me in the abstract, and I had seen practically nothing. I had seen a film then that Noël Burch had found and was distributing called Echoes of Silence. It was a beautiful film, three hours long. It goes forever and it was in black and white, very grainy, and I saw that film and I thought...it was not New Wave. It was really a new concept of cinema.
It was more dangerous not to go; I was running the risk of becoming trapped in my own fantasies. So I was doing the right thing by going. She would behave normally, I would behave normally, and everything would be normal again.
With maternal love, life makes a promise at dawn that it can never hold. You are forced to eat cold food until your days end. After that, each time a woman holds you in her arms and against her chest, these are merely condolences. You always come back to yell at your mother's grave like an abandoned dog. Never again, never again, never again.
Being a film director involves, above all, a lot of hard work and resolve and determination. The glamour doesn't come until the premiere and the thing is all long done.
When i've done camera test, after we've shot and I've seen the monitor with the glasses (wearing a Kimono) and looking by myself in 3D. Oh my god. Especially for a Samurai film. I've never seen that. It's kind of a culture shock.
As a screenwriter you're the towel boy in the whorehouse. I mean you know you're lucky if you're invited to set. It's kind of like here is the blueprint, go and that's you know there has been some debate as to whether or not a film should be by the director or by the screenwriter or by both.
As president of the International Brotherhood of Teamsters, I have seen private equity firms plunder company after company, taking rich fees for themselves and cutting costs until there's nothing left to cut. Time and again I've seen their reckless behavior drive companies to declare bankruptcy.
It's like live action if you reshot every scene a million times after finishing the movie. Because even apparently by the very end, a few weeks before they were screening it for the world premiere, they were making changes. That's just simply something you can't do on live action.
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