We have some extremely talented people that we've ripped off the Broadway stage. It's awe-inspiring how talented they are, and how can-do they are. They're at that stage of life where it's like, "Yeah, let's put on a show!" That's really fun to watch.
Hamilton' has changed my life in so many ways. I really do have a family from that show. The people that I shared that stage with every night- they mean so much to me and they're so special and so talented. I'm just a fan of every single one of them and it was an honor to share that stage with them.
That is one of the things about going on tour, that I get to work with some really talented people and it allows me to be able to listen to them as well - and just have fun on stage.
You put a very talented kid in a structured environment, where they get to understand and believe how talented they are, and you'll see some great results.
It's hard to put into words how much fun it is for me, as a broadcaster, to build something with really smart, talented people.
I like my messiness on stage, though I watch comics who come at a joke from every angle and I think, 'Yeah! That's how it's done!' But for me it's the audience. If I feel connected to them, I have so much fun, and if not, it stinks.
Voice-over stuff is so much fun because you don't have hair and makeup and wardrobe. You get to show up. And there were some talented people, and we don't even know them. And they're so gifted. They can do all these accents and voices. It's really fun to do that stuff. It's really like actor camp.
I feel like it's really important to support people who are coming up and really talented, who need someone to show people that they're cool and talented and doing something different. And I can help do that. It's cool.
For me, it's my work - I have a job, and that job happens to be with insanely talented actors. At this stage, it's normal to me. But when I meet new people, I realise, 'Oh, yeah, it's actually really strange. I have a very unique hobby.'
It really does frustrate me when I watch MLS, and I see our best U-17 players - who, again, are so talented and so capable - being rostered... but then not being put on the field much to actually play. I watch that, and I just think about how I was given a chance... a real chance... and it changed my life.
Standing center stage in the six foot circle of wood cut from the stage of the Ryman is something I never take for granted. The history and legacy of that circle is awe-inspiring.
Somebody has to be on stage, and some people have to be in the audience. That's the only difference. Don't put any thought as to why you are on the stage or how you need to be 'better' than the people in the audience. You aren't better. You're simply the speaker.
It always bothered me when people came off stage and were told how great they were. They weren't, really, in my opinion. It was then I started thinking that, contrary to conventional wisdom, film was the artful medium for the actor, not the stage.
We cannot afford to lose talented young black people, who make it to university, overseas, or worse, to let other talented black people be put off by the notion that university is somehow not for them.
I've always had a passion for dancing, and I wasn't lucky enough to go to stage school, so when I got onto the show, I was like a kid in a sweet shop. I went into it just to have fun. The support was overwhelming, to say the least. It wasn't until the end of the show that I realised how much I really wanted to win it.
The minute I'm off that stage, I try to get as 'me' as possible. I do that by piling on my black eyeliner, and I put on my ripped tights. Dressing like myself again helps.
It might be odd for people to hear this, but honestly, you know, when you're on stage, I don't think people realize how grueling eight shows a week is. And as far as jobs go, being a Broadway actor, it's hard. It's fun, but it's hard.