A Quote by Jane Pauley
I'm excited about going back to 'Today,' but, at odd moments, I'll grit my teeth in anxiety. I feel like a student before the start of school. I've got my new shoes and my book bag, but I'm not sure I'll remember how to do trigonometry. During my maternity leave, I haven't used many words of more than one syllable.
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I'm so excited about school. I'm such a shameless student. I laid my clothes out last night, just like I did before my first day of first grade, with my patent leather shoes and my new lunch box. I hope the teacher will like me :)
I used to think that when I grew up there wouldn't be so many rules. Back in elementary school there were rules about what entrance you used in the morning, what door you used going home, when you could talk in the library, how many paper towels you could use in the rest room, and how many drinks of water you could get during recess. And there was always somebody watching to make sure. What I'm finding out about growing older is that there are just as many rules about lots of things, but there's nobody watching.
It's hard sometimes when you're in a regular high school, you just feel like the odd kid out. The great thing about going to an art school [is] it's kind of like it's all the odd kids. It's all the kids that don't fit in at their regular schools, because you're into something and excited about something that other kids really aren't into. When you go to art school, everybody's kind of on the same page.
I've always loved clothes, especially handbags and shoes. I'd rather save my money on clothing and wear crap, but have the handbags and shoes. I used to buy a Ferragamo or Louis Vuitton bag every job that I got. Now I have a child, and we pay for private school, so I've had to scale back!
I am very much out of my element here. There are moments, listening to the conversations going on around me, when I feel I am going to lose my mind. Earlier today, I heard someone say the words, "I felt at one with the divine source of creation." Mary Roach on a conducted tour of Hades. I had to fight the urge to push back my chair and start screaming: STAND BACK! ALL OF YOU! I'VE GOT AN ARTHUR FINDLAY BOX CUTTER! Instead, I quietly excused myself and went to the bar, to commune with spirits I know how to relate to.
Hollywood has to start finding more original stuff They've got to start by not depending on, 'What can we churn back out? How can we regurgitate this?' That's why I want to redo the feel of Transformers. That's why I wanted to start with a new cast. You want it to feel fresh, and you want to make it feel different than the other three.
As I get older I find myself thinking about stories more and more before I work so that by the time I eventually sit down to write them, I know more or less how it's going to look, start or feel. Once I do actually set pencil to paper, though, everything changes and I end up erasing, redrawing and rewriting more than I keep. Once a picture is on the page I think of about ten things that never would have occurred to me otherwise. Then when I think of the strip at other odd times during the day, it's a completely different thing than it was before I started.
I've been spoiled being in the fashion business. My son will be like, 'Mommy, 20 new pairs of shoes came today. How come?' Because I'm always telling him it's not normal to have 20 pairs of tennis shoes to try on before school.
It's almost like going to high school before you got to go to college. You felt a little bit better before you got to college. That's how I feel about Brooklyn.
I feel, as an adult, I'm very similar to how I was as a pre-teen. Maybe it's a case of arrested development, but I feel like it's easy to slip back into those shoes, and I feel like if we were all magically transported back to our middle school years, we'd all act like we did in middle school.
When you think about going back to the States you start to become more aware of the violence there and how we pollute the Earth more than the New Zealanders.
My favorite song he ever wrote was 'Cold Cold Heart.' If you think about it, the lyric to 'Cold Cold Heart,' see how many two syllable words are in that song. Very, very few. ... Verses and the choruses have very few two syllable words. 'I tried so hard my dear to show that you're my everything.' One three-syllable word.
With every book, you go back to school. You become a student. You become an investigative reporter. You spend a little time learning what it's like to live in someone else's shoes.
I'm such an old fart that I started buying books on film and TV and radio and music when, for television, the entire shelf of books was only a couple of them. You go into the '70s before you start getting books on TV that you start wanting to collect. And by the time that you get to something like the Brooks and Marsh book it's invaluable. My house got hit by lightning in 1989 and burned down. And I got more than a half dozen Brooks and Marsh books sent to me by friends immediately, as though that's what you need more than clothes or food. That's how treasured that book was.
I think about how we can't always live in the moment because moments pass, and when we're lucky, we have the kind of moments that we can't help wanting to go back to. We think about them, remember how they felt, and when more time passes we tell stories of these moments that are worth reliving.
I think people are much more concerned about money now. There aren't the big advances of the past. You feel the sense of nervousness about the book industry. It's not like before. Not that I knew very much about what it was like because I was a newcomer to it, but I get that feeling that people are more conservative in their book choices and what they are going to publish and what's a sure sell. As opposed to - just like in the economy - a sense of luxury and sense of risk taking ten years ago.
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