A Quote by Jane Roberts
I kept looking for a logic that would explain life. It never occurred to me that instead love is the vital synthesis.
Related Quotes
It never occurred to me that anyone would name a nuclear missile "Peacekeeper". It never occurred to me that thousands of people would be killed in the name of "peace-keeping".
It's the attitude about life, man. Looking at the light instead of the dark. Looking at love instead of fear.
If this is the last time, let me say it so you never forget. I will always love you, Deuce. No matter where souls go, mine will be looking for you, solnyshko moyo." "No. I want a promise instead. Promise you'll fight like you never have, so when the dying stops, you'll be on your feet looking for me here." "I swear.
I'll tell you something, Harpy," he said, his voice almost a whisper now. "It never even occurred to me that we wouldn't make it. And it never occurred to you that we would. You were just waiting for us to go down in flames. I thought we could get through anything.
It's not like it ruined my life, I was going to say, but then I didn't. Because it occurred to me that maybe it had ruined my life, in a kind of quiet way--a little lie, probably not so vital, insidiously separating me from everyone I loved.
My dream was I was going to be an actor. Racism occurred to me. It dawned on me that I would not be an actor. It occurred to me that I was not white. It occurred to me that being what they call colored, being a Negro, was some kind of a disadvantage.
Being a mother for me was like, "Oh, this is what I've been looking for my whole life." This brings me a sense of completion. I never knew I would love this deeply.
Asking science to explain life and vital matters is equivalent to asking a grammarian to explain poetry.
If he wasn't so vital in my younger days, I would have never kept up with baseball. At some point, your dad has to motivate you until you actually realize what you're doing.
Love is not love if it is compelled by reason and driven by logic - love exists in spite of those things, not because of them. It is a emotion which needs no fuel to fire it or oxygen to feed it; if you have to look for the why, then stop looking; it was never there at all.
If I never went home, what exactly would I be missing? I pictured my cold cavernous house, my friendless town full of bad memories, the utterly unremarkable life that had been mapped out for me. It had never once occurred to me, I realized, to refuse it.
I think at some level, it's just alchemy that we, as writers, can't explain when we write the characters. I don't set out to create the characters - they're not, to me, collections of quirks that I can put together. I discover the characters, instead. I usually go through a standard set of interview questions with the character in the beginning and ask the vital stuff: What's important to you? What do you love? Hate? Fear? .. and then I know where to start. But the characters just grow on their own, at a certain point. And start surprising me.
I wanted to play running back, but they would never put me at running back. I started loving receiver and as I kept growing older, we kept throwing the ball more and I kept liking it more and more. It's something I've played all my life. It's something I've gotten better at each year.
The want of logic annoys. Too much logic bores. Life eludes logic, and everything that logic alone constructs remains artificial and forced.
Looking good kept me out of trouble. When I worked for Michael Alig, everybody was overdoing partying. It would take me so long to get ready, because I was never one of those girls that were naturally the cover of Vogue. I had to really work hard to look nice. I would take hours and hours to get ready. If you have high heels on, if you're dressed nice, you really can't be drunk or sloppy because it's dangerous. It's part of being a lady, so it really kept me out of trouble.
With mockumentaries, the conceit is that the characters are being interviewed, so you can start a scene and cut to a character looking at the camera and saying, "I'm working on this project," instead of having to figure out ways for people to talk naturally about what they're doing. You see this problem in pilots - people end up explaining things to each other that they'd never explain in real life.
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