A Quote by Jason Aldean
I don't know if Nashville will ever be ousted as the Music City. But I also think that here, over the last few years, Georgia has definitely kind of risen to the top as far as the crop of young artists coming out of this area that are kind of making waves, you know?
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If you've ever swum in the ocean, and you go underneath the waves, you know, you're kind of moved by the currents, but you're not being slapped around at the top of the water by the waves. And that's sort of what meditation is like.
There's more well-known artists who aren't making as good songs as people who are just coming out of nowhere. That seems to be more typical in the last few years than ever.
Nashville has always felt perfect. I don't think Third Man Records could exist in any other town that I know of in America. Anything smaller or larger than the size of Nashville, and also the music - the attention that's paid to music in that town is sort of the right kind. It's not too hipster and it's not too fake; it's something in the middle, which is really good ground for a place like Third Man Records, that aims to be genre-less. It's great to be able to have that kind of access.
I think everybody don't know what color I am. It's like, "He's not black enough. He's not white enough. He's got a Latin last name but he doesn't have - he doesn't speak Spanish. Who are we selling this to? Are you making urban music? Are you making pop music? What kind of music are you making?"
Well, very long ago, on the spot where the Wild Wood waves now, before ever it had planted itself and grown up to what it now is, there was a city - a city of people, you know. Here, where we are standing, they lived, and walked, and talked, and slept, and carried on their business. Here they stabled their horses and feasted, from here they rode out to fight or drove out to trade. They were a powerful people, and rich, and great builders. They built to last, for they thought their city would last for ever.
Honestly, with pop and rock and things, artists are from all over the place, so they're kind of isolated. The city of Nashville helps create the camaraderie. Everyone moves there for the same reason.
A hundred years ago, Auguste Compte, ... a great philosopher, said that humans will never be able to visit the stars, that we will never know what stars are made out of, that that's the one thing that science will never ever understand, because they're so far away. And then, just a few years later, scientists took starlight, ran it through a prism, looked at the rainbow coming from the starlight, and said: "Hydrogen!" Just a few years after this very rational, very reasonable, very scientific prediction was made, that we'll never know what stars are made of.
As far as piano players are concerned, Oscar Peterson is my very favorite. I also like McCoy Tyner. I think that the big jazz stars, both now and in the past...how shall I say it? These guys are as great as Bach, Beethoven; all of them. People don't know it yet. If jazz survives and is put on a pedestal as an art form, the same as classical music has been through the years, a hundred years from now the kids will know who they were, with that kind of respect.
The south in general kind of has this Lilly Pulitzer, light pink and green vibe to it. Atlanta being a large city has a variety and people dress more hipster. You definitely know what area of the city you're in depending on how the girls dress.
I think that it definitely makes the transition easier being able to know linebacker and having also played on the defensive line. You can kind of know what they're expecting on the back end and what you are kind of expecting from them.
What I do and where I come from, the kind of music that I'm making, it's definitely U.K. If I turned around and did a tune with Timbaland, it would be amazing, but it would be me kind of leaving where I'm coming from.
I've said this a lot lately, too: if, 20 or 30 years down the road, when everything's said and done, I was never able to achieve that level of zeitgeist again, then so be it. I know how rare it is for anybody to do that. But I also feel like, OK, we're getting on to 25 years of putting out records: that's also kind of rare air for anybody who makes music. And I think you just end up kind of grateful for every opportunity that comes along.
The great thing about Priest, in all the years that we've been making heavy metal music, is that we've always kind of carried this metal flag, if you will - this beacon of hope that, no matter what you may be going through in life, there's always a sense of overcoming difficulties, a sense of winning, a sense of coming out on top.
We think it hugely important to support young artists, there is a war against that kind of artistry, that kind of creation...When somebody is 19 years old, they're gonna do what they're gonna do just like we did... For me the most important thing was for him to know anytime he can call and I'll come whatever happens.
Thoughts come and go. It's impossible to stop your thoughts, but the idea is that the thoughts are kind of like waves on the ocean. That's Jon Kabat-Zinn's big analogy and that this is actually kind of diving under the waves. And you know it's kind of interesting.
I definitely felt the desire to, like - I definitely knew there was an elsewhere. I definitely knew that, like, if I were going to be free, I needed to be away from, kind of, like, Nashville and kind of get out of the South and get out of the country.
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