A Quote by Jason Bateman
As an actor, you only get to work 15 minutes an hour; as a director you're fully immersed. It's incredibly more complex and challenging and I love it. I'm sort of a glutton for work and to direct something that I'm acting in feeds the vein.
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Create a life outside of acting work that fulfills you and feeds your soul. Nurture your relationships - family and friends. Stay ready and open for those opportunities that will come as a direct result of that readiness and openness. Only stay in it as long as it feeds your soul.
Direction is closest to my heart. I may run out of work as an actor as I get older, but I can work as a director even if I live up to be 90. I promised myself that I will direct a film every three years.
I love the variety of films. In theater, you go into a room and the director runs the room, so you all work to his or her method. On film, if an actor or an actress is in for a day or two, the director has to get out of that actor what they need, so they have to change and adapt to that actor's technique.
There is something very cyclical about the way fashion designers work. They work and work and work, the collection is finally shown, and after those 15 minutes, they must start over from the beginning. This is not unlike the way I work creating new dances.
There are always things that I'd love to do. As an actor, none of them are specific; all I'm looking for are things that are good quality, that are challenging for me to work on, and even better if I get to work with people that I respect and am excited to work with.
For me, as an actor, just to keep acting and to keep being able to work and to do different roles and challenging roles, that's something I'd love to do.
I just realized that I need to be a director - for two reasons. One, directors were already my heroes at this point. I wanted to; when I wanted to be an actor I wanted to work with this director. Not work with this actor, I wanted to work for this director.
With a director it's all about the work; I'd work with a great director over - you know, I'm not the kind of actor who that doesn't go, 'I want to play this role.' It's more like, 'I want to work with this director,' regardless of what the role is because if it's a good director, you'll probably find a good role because it's a decent film. But a mediocre director will always make a mediocre movie.
I feel very lucky that when I'm burnt out of acting, I take to the pen, and I write something I want to direct. And then, when I'm tired of taking on too much responsibility as a director, I then look for an acting gig. And I've made it very clear that I'm interested in voiceover work. I mean, I'm always looking for voiceover gigs. I love that.
When an actor plays a scene exactly the way a director orders, it isn't acting. It's following instructions. Anyone with the physical qualifications can do that. So the director's task is just that – to direct, to point the way. Then the actor takes over. And he must be allowed the space, the freedom to express himself in the role. Without that space, an actor is no more than an unthinking robot with a chest-full of push-buttons.
That's an actor's dream to get something meaty and juicy and challenging to work on.
One of the reasons so many people fail is they get on this treadmill for an hour or an hour and a half. That's totally unnecessary. If it's cardiovascular, you don't need more than 15 to 17 or 18 minutes if it's vigorous.
I think the power of the short film is incredibly underrated. It is way easier to get someone to watch a 15-minute film then a full-length feature. In those 15 minutes you have the opportunity to express your voice as an artist and hopefully connect with your audience. If you are trying to be a first time feature director then a short film that demonstrates you have a grasp on the themes and concepts of the movie you want to direct is a no-brainer. Whether they are collaborators or potential investors, filmmaking is a visual art form so you obviously need visuals to show them!
You get to the rink, stretch for 10-15 minutes, go on the ice 20 minutes before practice starts and do goalie drills, practice for an hour, then stay on the ice for about 10-15 minutes to do extra shooting.
Acting is one element in a film. Directing is sort of the painter using all of those elements - sound and music and camera and putting it all together. And that can be fun and exciting. If you fail, it's incredibly upsetting - much more upsetting than when you're an actor. But when you succeed it's incredibly, incredibly exciting, so I like the risk of it all.
Anytime I get the chance to sing or work with Michael John, it is such an incredibly fertile and incredibly creative and safe and encouraging environment - and challenging, too, because he is so collaborative!
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