A Quote by Jason Bateman
My goal is to get another 30 years out of this business. So I need to figure out the fuel to do that. And so far, I think it's respect and quality and company, not celebrity or box office or stardom. It's not a sprinter's approach. It's more like a long-distance thing. You can stick around a lot longer if you kind of slow-play it.
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It's not a sprinter's approach. It's more like a long-distance thing. You can stick around a lot longer if you kind of slow-play it.
People don't last long in this game. I feel blessed that I've been able to stick around and play at a high level for my entire career, which is another hard thing to do. That's the only way you stick around - if you're out there and you're able to produce and make plays.
I think a much better use of time and resources is to really focus on your existing users or customers and figure out what changes can you make in the Web site, the service, the product, whatever, to get them to come back more often to generate that repeat business and once you kind of figure out that formula, then when you get new customers the whole thing just kind of grows exponentially.
You can point to a lot of women showrunners that have had long and successful careers. In terms of the kinds of movies that women can get made, as long as the business operates under this model of the first-weekend [box office] focus, with huge movies aimed at super-young audiences, it will be really tough for women to do something that really changes the landscape. Because honestly, until they figure out how to get grown women into the theaters on the first weekend, it won't change.
My parents started a business out of the living room of our home and, 30-plus years later, it was a multimillion dollar company. So, President Obama, with all due respect, don't tell me that my parents didn't build their business.
Often, in the movie business, they need somebody who will garner box office because they need to pay for the movie. So the people who are in movies that make a lot of money are the people who most often get cast in studio pictures. In my career, I've never been a box office name.
Everything is Flammable was the first full-length book I was able to finish. I started a couple others, but ran out of steam. This one had momentum, I never got bored or discouraged. It is made up of short pieces, which is where my comfort zone is. I'm more of a sprinter than a long-distance runner. When you do a short piece, you get in and get out; you don't linger.
I like more the fact that I like to think out of the box. Thinking out of the box goes along with dressing out of the box and living out of the box.
You don't have to fit into a particular box. You fit into a box that you're comfortable in, and you'll attract people with like minds. It took me a while to figure this out, but there are many ideals. You have to figure right what's best for you and that will radiate out of you. I think a certain amount of letting go and being brave and not being afraid to make mistakes to get there.
At Penn State, I ran distance and cross country as a walk-on. I wound up running a lot of marathons, 30-plus. I was okay. I won one in Johnstown, Pennsylvania. I think it was around 2:30. I could crank those out all day.
I think animation is like running a marathon, and making a movie is like a 100 meter sprint. The question is: are you a marathon man or are you a sprinter? I realized that I was more of a sprinter than a marathon man. With a long, long project, I get bored easily.
I think in three or four years, there are going to be a whole lot more people who don’t think it’s necessary to figure out if you’re gay or straight. It’s like, just do your thing.
For theater I am like a long-distance runner. For movies I am a sprinter! Same playing field, different approach.
I didn't know box office was a thing you could possess but I don't have it. I go up for lovely roles and people with this nebulous thing called box office get them so there isn't much I can do about that unless you know where I can get some box-office myself!
A lot of times life is spinning so fast around you that you kind of think it's out of control and that's when you need to slow down a little bit and take a break.
I remember when I was maybe 27 years old and kind of at the height of my movie stardom - it was around the time of the Oscar and this and that. I think I was very much believing my own hype, which how could you not? I was sitting with my dad, feeling great about my life and everything that was happening, and he was like, "You know, you're getting a little weird...You're kind of an asshole." And I was like, "What the hell?" I was totally devastated. But it turned out to be basically the best thing that ever happened to me.
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