A Quote by Jason Biggs
I've always felt most comfortable in the hopeless romantic, underdog kind of roles who always gets the girl in the end. I don't know what that says about me but for some reason it's a natural fit.
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There are so many fantastic roles, but the ones that have always drawn me to them are the loners who, for whatever reason, never quite fit in and knew it and had to find their own way. I've always been drawn to that, for some reason. I've always been drawn to that sad, isolated place, but what it produces in behavior is something else, entirely. For whatever reason, I'm drawn to these people. Essentially, I think what draws me is that they are survivors against rather considerable odds.
I'm not the underdog, but - Well actually, I guess I've been the underdog. To me, it always felt like I was talking to "the big guy," you know, the big guy in the government, and trying to tell him about some things he didn't seem to be aware of. I just think that's a pretty arrogant group of liars we've got up there, and they don't really consider the abilities of their opponents.
For me, hour-long drama was always the thing I felt the most comfortable doing, and I've played so many dramatic roles in the theater.
I love playing darker roles, or roles with meat. I feel very comfortable in that environment. I don't know why. I don't know what that says about me. I really enjoy doing complicated characters.
I always felt like Tahliah's a very grown-up name to have. It's a pretty name when you're young, and then I think when I became a young lady, it felt kind of like a lot to grow into for some reason. I don't know. It sounds kind of regal. I never really liked it. I always felt like I couldn't live up to it.
I've always felt like the underdog, and I'm comfortable with that label.
I think there are certain tenets set in place for all different types on genres. For thrillers, women usually die first. I can't say exactly why, and it's kind of a bummer... But I also can't explain why the wallflower girl in the romantic comedy always gets the guy in the end. That's just the way those movies go.
As an artist, I've always felt most comfortable outside of the art supply store. So domestic materials are the ones that most help inform what I'm trying to talk about and our familiarity as a whole - kind of the collective us, I guess.
I always look for roles that make me feel good about being a girl. I have to say that there are a lot of roles out there that make me feel really bad about being a girl. You can imagine what the things are and I shall not go into detail.
I always wanted to do an emotional role but was rejected a couple of times because the directors felt that I have always done negative roles and so I wouldn't fit the bill. That was dejecting.
I think that it gave me a really strong feeling of my life force and a confidence in myself. I felt like I was a man. Before that point for some reason, I always felt I was a boy (laughter). In fact, they called me the baby on the ship 'cause I was the youngest guy on the ship. But I always felt that way.
'Mad About You' fit my sensibility the most of any show that I worked on, and as a result, it was really fun. It felt like a very natural fit.
Mad About You fit my sensibility the most of any show that I worked on, and as a result, it was really fun. It felt like a very natural fit.
Folklore has a moral center to it. Folklore is always, always, always on the side of the underdog, and children have a natural instinct towards justice. They feel indignation at needless cruelty and wistfulness about acts of mercy and kindness.
Hello...Although you (reporters) are busy thank you for coming to this place. Today, the reason that I called you...I wanted to talk about some girl. Currently, I love a certain girl. I really love this girl too much. She is a person who finds happiness and joy in small things, when i'm with her, I'm always happy. She is also a person who told me how happiness felt like. Because of this, Because of this, because i love this girl too much, because i want to protect this girl...I am getting a divorce.
The documentary style is an incredibly flexible and useful one. It's a wonderful tool for establishing the credibility of the version of things that's in the photograph - a kind of rhetorical device or rhetorical strategy. It's always felt very natural to me, because I want a person to end up thinking about the world, and to think about it in a way that is transformed by the experience of art.
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