A Quote by Jason Blum

I do want to grow our company, so the way I've been doing that is moving 'scary' to different things. — © Jason Blum
I do want to grow our company, so the way I've been doing that is moving 'scary' to different things.
You can't always do that which you can do in your sleep. That doesn't fulfill an artist. You're looking for places where you can grow, in some way, whether it's a large way or a small way. I want to grow as an artist, as a person and as a woman. I want to enjoy myself and my life and the company that I'm keeping. I want to bring something to the table that's different than anything else would bring, but that has its place and value, and then keep moving.
I get bored very easily, so I love doing different things, changing, doing a job for a month and then doing another one for six months and then moving into a different group of people. I love being able to stop. That's one of the greatest benefits we have in our profession.
Innovation is doing something in a different way, but it also has a subtext: When there's an established way, and that way is considered the best practice and how it's traditionally been done, innovation comes by and says 'Let's try a different approach.' It doesn't need to be big or company-wide - it could be a single thing.
We're starting with our own carbon footprint. Not nothing. But much of what we're doing is already, or soon will be, little more than the standard way of doing business. We can do something that's unique, different from just any other company. We can set an example, and we can reach our audiences. Our audience's carbon footprint is 10,000 times bigger than ours... That's the carbon footprint we want to conquer.
Moving out and living on my own was a big thing, but to be in a different country with different coaches and a different mentality changed me as a person, as a player, the way I think about things and the way I see people.
I want to do roles that are fun and challenging and I want to try different things. I don't want to keep doing Monster's Ball over and over and over again. I want to keep doing my career the way that I was doing it before I won the Oscar.
We grow each day or don't grow. Go the other way. We're a different person all the time. The human being is something happening differently every day. That's the challenge of doing a play: using your instrument to learn and to pull out these things.
What I've found - and the older I get, the more I understand this and stand behind it - is, my whole life has been an exploration of telling the truth. It's scary to be truthful, and it's scary to reveal yourself, and I'm very attracted to doing things that scare me.
I don't think that doing things a certain way because they've always been done that way is smart. I don't think you grow that way.
To me, I will be a stronger person if I'm moving forward, doing the work I want, and continue to drive: force the purpose that I want to create versus doing what other people think I should be doing, which is never a way to live.
The cliché about young actors is that they want to diversify the work that they do to show their range, but it's true. Or at least, for me, I want to keep doing different stuff; doing different work, you see different things.
I have a production company, I have a marketing company, I have different things that I have going on and different interests and there's nothing wrong with having different interests as long as you prioritize the things that you need to do first. And I do.
When a company wants to move to Mexico or another company - or another country and they want to build a nice, beautiful factory and they want to sell their product through our border, no tax, and the people that all got fired, so we end up with unemployment and debt, and they end up with jobs and factories and all of the other things, not going to happen that way. And the way you stop it is by imposing a tax.
I don't want to grow up but I'm sick of not growing up -? that way. I'll find a different way of not growing up. There's a better way of doing it than torturing your body.
Part of the criteria for doing a project is that it's scary or challenging because at some point you go, 'It's too scary; it's too challenging. I don't want to do it.' But things that seem easy are never any fun.
It's always scary when you're doing a sequel to a film, because you don't want to just repeat the first film in a different location like most sequels. You want to do something totally different, and something that actually expands the world of the main character.
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