A Quote by Jason Witten
Look, I had a great experience in the booth. I saw a different perspective.
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With Hairspray, we had a great experience. I always think of the last time I saw Divine: He was in the last booth in the back of the Odeon. Now every time I go in there, I look at that table. It was a wonderful night.Hairspray had been out a week; it was a hit. If I had to pick a night that was going to be the last night.
There remains an experience of incomparable value . . . to see the great events of world history from below; from the perspective of the outcast, the suspects, the maltreated, the powerless, the oppressed, the reviled ---- in short, from the perspective of those who suffer . . . to look with new eyes on matters great and small.
'Saw' has been a unique experience in that I've had the opportunity to work with some really great artists, and everyone has contributed in so many different ways, in all of the different departments of a film crew.
Saw has been a unique experience in that Ive had the opportunity to work with some really great artists, and everyone has contributed in so many different ways, in all of the different departments of a film crew.
My perspective is hard because I look at wardrobe from very much a guy's perspective. You look at my closet and I have pairs of black jeans and five button-downs, but one's silk, one's cotton. They all are slightly different, so that's my perspective.
I remember standing on a street corner with the black painter Beauford Delaney down in the Village, waiting for the light to change, and he pointed down and said, 'Look.' I looked and all I saw was water. And he said, 'Look again,' which I did, and I saw oil on the water and the city reflected in the puddle. It was a great revelation to me. I can't explain it. He taught me how to see, and how to trust what I saw. Painters have often taught writers how to see. And once you've had that experience, you see differently.
If I had different parents who were in it for the money, I might have a different perspective. But they really are artists; they intelligently approach each character and prepare in every sense of the word. I grew up in a world that had great discipline.
I think when you have kids, it definitely makes you look at things from a different perspective, but I think that the biggest thing it's done is it's made me look at things from a different perspective from a professional standpoint in how you analyze things and how you look at things and how you react to things.
It's interesting in the recruiting process because I have recruits and parents that say, 'You're so positive about the other schools!' And I am, because I had a great experience at LSU. I had a great experience at Auburn. I had a great experience at Florida.
The immigrant experience in 'Ilustrado' was only a small part of what I intended to be a broader look at the Filipino experience, even if that broader look was itself merely a specific perspective.
Well, here's what I'll say: The storytellers of 'Lost' have taken us on a pretty great journey, and there have been questions along the way, and criticisms along the way, but if you look at the totality of the show, or the experience of it as a whole, I think as long as you look at it from that perspective you'll be happy.
Life, in her experience, had a kind of velvet luster. You looked at yourself from one perspective and all you saw was weirdness. Move your head a little bit, though, and everything looked reasonably normal.
Every man is the sum total of his reactions to experience. As your experiences differ and multiply, you become a different man, and hence your perspective changes. This goes on and on. Every reaction is a learning process; every significant experience alters your perspective.
You are always looking for a different kind of read and a different kind of intention when you are by yourself in the booth. Occasionally you are playing off of people, but it is a bit of a different muscle that you have to flex. At the end of the day though, it really is all just great fun and play that we are lucky enough to get paid for.
When so many of our dreams had come true and yet I still saw that so many of my friends were in a lot of pain... I saw their pain from a different perspective and realized that I can't just sing my way out of all this suffering. I have to try to understand human nature and myself and the nature of suffering and a lot of these other issues on a deeper level.
In the beginning, the energy involved to create came from my reaction to the work of other artists. The force behind this was aggression. The art that I saw was great, but I had to reject it, because I could not continue in the same direction. So I had to do something entirely different. It had to be so different, so extreme, that those who loved pop art, for instance, hated me. And this was my strength.
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