A Quote by Jason Isbell

The Police could get away with doing an entire record with really no audible reverb, which I have always admired and thought would be a lot of fun to try to re-create. — © Jason Isbell
The Police could get away with doing an entire record with really no audible reverb, which I have always admired and thought would be a lot of fun to try to re-create.
A lot of the gear came out of some of the old studios here in New York City. We picked up a lot of old microphones, reverb tanks, tape machines, so yeah, we try to record the old way, which takes more time and energy, but it certainly feels better when you're getting to the end of the process of making a record.
I get bored easily, so I need to do a lot. I've started a record label, so I get to nurture new talent and talk about music, which is a passion of mine. I've written another book. And I get to come to work and do the TV show, which is always really fun.
I felt like I could get away with calling it Black Hours. That could easily be the most depressing record ever written, but because there is this sense of fun throughout the whole thing I felt like I could get away with it. Like "5 A.M."; that song's in a minor key and I'm just wailing away and it could have been just wallowing depression, but it's not.
I have fun. I always have fun. I don't really get in a hurry about anything. I just try to go with the flow and have fun, and that's how I try to play baseball.
It's always fun to play the innocent, no matter what you're doing. If you feel like you're doing the right thing, you can get away with a lot comedically. I had definitely missed not having a conscience.
Soccer was probably the most fun game I've played because I never walked away feeling like I had a bad game. If you play a position in soccer where you can out-hustle or out-work or out-prepare somebody, it is a lot easier to walk away from the game and say, I gave it my all. I could always try. I could always hustle.
If you create a fun environment, people will take liberties and grow and expand. And then you'll get your final screenplay in my favorite style, which is 'tossed away' - as if the actor just thought of it.
It's really cool to see how many people try to imitate me or wear my stuff. I get a lot of Instagram videos of people doing my entrance. I think that's so cool. To see the variety of people, little girls, guys, doing it. I never really thought that would happen. It's amazing.
It's never really fun to have to cry in a scene, or anything like that. I just try to put myself in the characters position, and that helps. It's never really fun, but at the same time, if you're having a really bad day, it's a great way to get out all of your frustration by doing a really angry or sad scene. That's always a good release.
When it came time to make the audiobook, Audible did an ingenious thing: they asked both Wil Wheaton and Amber Benson to record entire versions of the book. As the author, I'm impressed with Audible's commitment to my narrative -- and I'm geeking out that both Wil and Amber are reading my book. This is fantastic.
It was really fun. It was fun for a lot of reasons. It was fun because nobody thought that we would be successful. It was on a network that wasn't even there at the time.
I loved being a redhead! I always wanted to try it. I was obsessed with Lucille Ball growing up. I really wanted to try it but I always thought that doing it would ruin my hair.
Working with other people, it's hard to get them to make it sound like what you have in mind. Also, it's really expensive to get your tracks produced, so I thought if I could learn how to do it myself, I could make five albums in a month and it would be free, it would be me, and it would be everything that I'm doing.
I'm always drawn towards the darker stuff, because I think it's just a lot more interesting. But it's also good fun doing the comedy, and I think that's why 'Misfits' has been great in that way, as you get a really good balance. I think it's best to try and do everything as an actor, really.
Al Gore wanted to tell people what they could listen to and what they couldn't, what they could record. It was basically coming down to the idea that he wouldn't let anybody record any music that he didn't think you should be doing. There was going to be an organization that would tell you what you could and couldn't record.
Some people thought I wasn't taking the sport seriously because I was always laughing and having fun, but I loved my skiing, I loved my jumping, and I thought, 'Well, why not have a smile on my face when I'm doing something that I really, really love doing,' and that's how I was.
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