A Quote by Jason Momoa
The reason why I wanted to direct is because there are personal stories that I want to tell, but also because I love every part of movie making - from the wardrobe to the set decoration to cinematography.
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I'm not particularly interested in working with movie stars. It depends on where you come from, I suppose. Why are you making films? The reason I want make films is because they convey ideas. I think some directors make films because they want to hang out with movie stars and be part of Hollywood. They want to be a star themselves.
The very act of story-telling, of arranging memory and invention according to the structure of the narrative, is by definition holy. We tell stories because we can't help it. We tell stories because we love to entertain and hope to edify. We tell stories because they fill the silence death imposes. We tell stories because they save us.
One day I decided to move towards documentaries or to move to more directing in documentaries at this point in my career. Why documentaries? I also love fiction. I would love to direct a fiction movie as well. But I think where I come from, reality is so interesting and has in it so many good stories to tell, this is why I'm doing that. I'm enjoying that.
I don't believe in leaving a scene in because it was really hard to shoot, or because it's the reason you took the movie, or because you always wanted to work with an actor . . . If it's not making the movie work, get rid of it.
The reason why I began making quilts is because I wrote my autobiography in 1980 and couldn't get it published because I wanted to tell my story, and my story didn't appear to be appropriate for African-American women.
When I'm making a movie, it's making use of my creative juices, and it fills me up with what really is - I think my purpose here is to tell stories. When I'm not, then I really have to learn how to live life and make use of the time properly. I'm not always great at making those decisions, but when it comes to working, my time is totally taken up. I have no option except to get up early in the morning and to work on that movie and to finish. But I take that with a pinch of salt, because I also love my time off.
I wanted to be involved with the making of some kind of parallel world. I thought, there's no reason to go to different parts of our world, because you can write them. You can stay home, stay in a little room, and imagine all these worlds. And I wanted to do that. Why did I want to do that, I'm not sure if I can tell.
A part of what makes myths live is their multiplicity, the way different voices retell them in every generation. Homer survives because his poetry was outstanding, yes, but also because he's been passed down by so many by luminaries like Vergil and Ovid, Shakespeare, James Joyce and Margaret Atwood, but also by countless others. I wanted to do my part for these tremendous stories.
Every person has a talent, but not the same one. Every person has to discover his personal talent and go with his talent. And then you are you, and what you do, you do because you love what you do, not because you want to be famous or because you're making money. You do the work because you love it.
The reason everybody is so amazed and enamored with me right now is because I have worked every angle, I have worked every formula, I have worked every equation, I have seen every club, I have seen every performance, I have seen every joke, I have studied, I have done my job. That's why I'm good. It's not because I got up one night and decided I wanted to tell some f - -ing jokes.
The thing that I think a director has to have in order to make a movie really work, and to certainly make a film that feels personal, is that you have to have a sense of the feeling that you want to create in people, the tone which you want to tell the story, and the basic themes you want to come out. You can't compromise on those because you are then not making the movie that you are going to be good at telling.
I used to tell my three younger siblings stories because that was my household chore, and I told long stories in installments because it was easier and more fun than making up a new story every night. I loved it.
You're in the middle of making a movie and this part of the process is always very interesting. Because you think what you're making your movie is and then you start putting it out there, and then people tell you what your movie is.
The thing that I think a director has to have in order to make a movie really work, and to certainly make a film that feels personal, which I hope this one does, is that you have to have a sense of the feeling that you want to create in people, the tone which you want to tell the story, and the basic themes you want to come out. You can't compromise on those because you are then not making the movie that you are going to be good at telling.
wait," I said. "so you're saying that you proposed to me because I'm a mess and I'm a person and because we need each other, while Rebecca was —— something else? I get it, I follow you, but I'm also thinking, is the bullshit getting a little deep in here?" "Yes, it is. You've caught me. And so fine, I will come clean, and I will tell you the absolutely true and naked reason why I want to marry you and only you, and not Rebecca." "Why?" "Because when I'm with you, I'm the pretty one.
You can be imaginative, you have the technology to convert your vision, you have the freedom to write the kind of stories you want to tell beyond the set formulas. Also, you have varied platforms to tell different kinds of stories.
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