A Quote by Jason Polan

I draw rainbows whenever I see them, with my black ink pen. When I have collected enough, I thought I might make a book called Black-and-White Rainbows. — © Jason Polan
I draw rainbows whenever I see them, with my black ink pen. When I have collected enough, I thought I might make a book called Black-and-White Rainbows.
We will continue to chase rainbows unless we recognize that they are rainbows and there is no pot of gold at the end of them
Everything does come from nature. That's where you get new ideas. Just draw the landscape. I felt doing it with a bit of burnt wood was also good because I was drawing burnt wood with a piece of wood. I wanted to do black and white. After using color, I thought black and white would be good. You can have color in black and white. There is color in them, actually.
I never feel the need to go out and make some grand statement that I'm dark and twisty and complicated, because I'm not that either. It's just not as simple as ponies and rainbows, though I do love ponies and rainbows.
I think that many black people thought this would be a wonderful and extraordinary thing, for a black family to occupy the White House. Not only black people; a lot of white people thought that, too, but particularly black people.
I've never seen a sincere white man, not when it comes to helping black people. Usually things like this are done by white people to benefit themselves. The white man's primary interest is not to elevate the thinking of black people, or to waken black people, or white people either. The white man is interested in the black man only to the extent that the black man is of use to him. The white man's interest is to make money, to exploit.
I make films about black women and it doesn't mean that you can't see them as a black man, doesn't mean that he can't see them as a white man or she can't see them as a white woman.
When there is love in the heart, there are rainbows in the eyes, which cover every black cloud with gorgeous hues.
As the thought comes to me to exorcise and transform this black with a white drawing, it has already become a surface.. .Now I have lost all fear, and begin to draw on the black surface.
'Black film,' unless it's lucky enough or creative enough, or timely enough to build a life of its own, hangs subjacent to 'white film' on Hollywood's financial score board... aided and abetted by the supposition that so-called black film has no foreign market.
People who postpone happiness are like children who try chasing rainbows in an effort to find the pot of gold at the rainbows end...Your life will never be fulfilled until you are happy here and now.
Back when we was in school in Mississippi, we had Little Black Sambo. That's what you learned: Anytime something was not good, or anytime something was bad in some kinda way, it had to be called black. Like, you had Black Monday, Black Friday, black sheep... Of course, everything else, all the good stuff, is white. White Christmas and such.
Diversity worship and multiculturalism are currency and cause for celebration at just about any college. If one is black, brown, yellow or white, the prevailing thought is that he should take pride and celebrate that fact even though, just as in the case of my eye color, he had nothing to do with it. The multiculturist and diversity crowd see race as an achievement. In my book, race might be an achievement, worthy of considerable celebration, only if a person was born white and through his effort and diligence became black.
In places like Germany or France the idea of black-white is not so much black-white but "our people and them," and "them" can be people from the near east like Turks or Muslims or North Africans, all of whom might well be considered white in the United States.
I am Charles Mingus. Half-black man. Yellow man. Half-yellow. Not even yellow, nor white enough to pass for nothing but black and not too light enough to be called white.
Teaching Black Studies, I find that students are quick to label a black person who has grown up in a predominantly white setting and attended similar schools as "not black enough." ...Our concept of black experience has been too narrow and constricting.
White-on-white crime is a devastation in America like so-called black-on-black crime. It's not black or white-on-white crime. It's proximity murder.
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