A Quote by Jason Priestley

Part of the fun of working on 'Beverly Hills, 90210,' for me, was that I got a lot of freedom from our executive producer, Chuck Rosen, to add things, change things. I got a lot of freedom to be creative.
There are a lot of people in Beverly Hills who come from the Middle East, who are very much a part of the Beverly Hills fabric, and their kids grew up with the privileges of Beverly Hills. And yet they still have to deal with a lot of the prejudice against them for being foreign-born.
The Arab awakening has been, up to now, a lot about freedom from dictatorial regimes - Syria, Yemen, Libya, Tunisia, Bahrain and Egypt. But once you got freedom from, then you need freedom to. Freedom from is about destroying things. Freedom to is about constructing things, constructing the rule of law.
I think a lot of what I loved being a studio executive was the variety and freedom. But now, as a producer, you're much more able to enjoy those two things. What I loved about it doesn't necessarily exist anymore.
I'm not here to put my music out on the Internet with no support and then say I got creative freedom. I've got creative freedom wherever I go: I don't create anything that I don't want to create. That's freedom. Since when does a company force you to make something that you don't want to make? If they do that, you leave.
I think this show can have legs for a long time. That's why it's called 'Beverly Hills 90210' instead of something like 'West Beverly High.'
Things have got to add up to 100 points. The script is part of it, the character is part of it, the people I'm working with is the third part of it - and any combination of the three has got to add up to 100 points.
Our spirit is back, but we haven't reinstitutionalized it. We've got to do a better job of getting across that America is freedom - freedom of speech, freedom of religion, freedom of enterprise. And freedom is special and rare. It's fragile; it needs production [protection].
I do seem to work in a lot of different mediums, which means it keeps things fresh and sparks interest in me. Fame and fortune is fairly irrelevant to me. It's nice because it gives creative freedom. But just wanting to be famous is ridiculous because it's so vacuous. So, I get offered lots of different things and if they spark my interest, I'll try and do them because they form part of a wider creative circle.
No one gave me a cake or a going-away party on my last day of 'Beverly Hills 90210.'
When our executive producer, Julie Plec, told me I was going to become a hybrid I got really excited. Because there's a lot of responsibility that comes with that, especially in our world of 'The Vampire Diaries' where Tyler is the first successful hybrid that's made.
When our executive producer, Julie Plec, told me I was going to become a hybrid I got really excited. Because theres a lot of responsibility that comes with that, especially in our world of The Vampire Diaries where Tyler is the first successful hybrid thats made.
I think the key is that nothing's ever perfect and you've got to be able to go with change. It's a lot easier said then done because I especially like things very structured and I don't like change, but it's part of life; you've got to just deal with it.
Me and both my brothers got permits to attend Beverly because two of my uncles and my uncle's wife all taught and coached at Beverly Hills High. But I grew up in South Central.
This just in: Beverly Hills 90210, Cleveland Browns 3.
I think I got a lot of life skills; I got a lot of wisdom; I've seen a lot of bad things happen to a lot of good people.
'Freedom' means a lot to conservatives, but they have such a narrow sense of what it means. They think a lot about freedom from - freedom from government, freedom from regulation - and precious little about freedom to. Freedom to is absolutely something that has to be safeguarded by good government, just as it could be impaired by bad government.
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