A Quote by Jason Reynolds

The idea of the mask in any scenario has always fascinated me. Not only does it protect identity, it also allows one to hide. — © Jason Reynolds
The idea of the mask in any scenario has always fascinated me. Not only does it protect identity, it also allows one to hide.
As a child I always loved traditional Korean masked dances. There is something magical about a mask because we all wear or hide behind a metaphoric mask, and ultimately underneath this metaphor is our true vulnerable core. I think we all want to reveal ourselves but can only do so when we feel we are safe.
A rogue does not laugh in the same way that an honest man does; a hypocrite does not shed the tears of a man of good faith. All falsehood is a mask; and however well made the mask may be, with a little attention we may always succeed in distinguishing it from the true face.
What does it mean to be an American today? The question of that is always pointing at now. It allows someone to say what lens that will be through. A lot of my work has been about identity in different ways. Part of that for me falls into the question of gender identity certainly but also about what it means to be an American theater artist.
The idea of goodies and baddies has always fascinated me, and what people consider to be a goodie or a baddie, because I've never seen any of my characters as baddies.
My mother always told me,”hide your face- people are looking at you”. I would reply,”It does not matter; I am also looking at them.
There is no "era" of simple, focused, concept-driven identity design. There is only design that grows out of understanding audiences for specific problems, and that evolves from an idea. This is an approach that does not depend on any specific time period or its technology.
I've always been fascinated by the idea of creating music using only vocals.
In my teens, I had no idea about running as a sports event. For me, an orphan, it was not only about learning how to survive the brutal world, but also about carving an identity.
Acting deals with very delicate emotions. It is not putting up a mask. Each time an actor acts he does not hide; he exposes himself.
The self divided is precisely where the self is authentically located. . . We all have identity crises because a single identity is a delusion of the monotheistic mind. . . Authenticity is in the illusion, playing it, seeing through it from within as we play it, like an actor who sees through his mask and can only see in this way.
I loved the idea that I had an alter-ego but that my true identity was very well known and very much on the surface. I was the only one who didn't know who Stardust really was. So it was very much tied to comics - everything I've done. I did a whole run where I'd wear a face mask when I was on SmackDown, and that was based on Dr. Doom.
My being Indian is possibly the biggest thing that influences my stories. Not just in terms of settings - most of the settings in my stories are Indian - but also in terms of characters and plot. I think growing up in India grew my imagination in certain ways that would not have happened in any other place. I'm also fascinated by the idea of India, and writing stories allows me to explore this. As for thematic elements, they are probably pretty obvious in my stories. I also hope that my stories bust stereotypes at least to a modest extent.
If I were in a situation where I had to meet a pack of wolves and my family is with me, I'm going to be scared, but I'm not going to hide behind my son to protect me. They're going to hide behind me.
Power is tolerable only on condition that it mask a substantial part of itself. Its success is proportional to its ability to hide its own mechanisms.
You cannot hide from the world. It will find you. It always does. And now it has found me. My split second of immortality is over. All that's left now is the end, which is all any of us ever has.
I have a hard time isolating what it is in myself that makes me so fascinated with the theme of identity, because I came from a normal upper middle-class family. And yet, as I look back at my books, the uses of power, issues of identity, they have - it's recurrent. It happens again and again.
This site uses cookies to ensure you get the best experience. More info...
Got it!