A Quote by Jason Robert Brown
I love my stuff - you're not supposed to say that. But because I'm performer as well as a writer, I'm constantly interacting with my own work. I always get to find these little secrets that I left for myself, little notes - I find them all over the scores.
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I always tried not to be too mean, but my problem is that the people I tend to find hilarious don't usually have senses of humor. So interacting with them is a little bit of an awkward engagement, because I can't really make them laugh, on top of which I've been doing an impression of them.
If you take any flower you please and look it over and turn it about and smell it and feel it and try to find out all its little secrets, not of flower only but of leaf, bud and stem as well, you will discover many wonderful things. This is how you make friends with plants, and very good friends you will find them to the end of our lives.
I find I like to work with a lot of the same actors, because I find that there's sort of shorthand there, and there is this unspoken trust, both ways. They trust me and I trust them. And I know what I'm going to get from them, to an extent. It's just fun, kind of creating this little family.
I've always been into 'fast-paced, don't bore 'em, keep it moving along, stick with the story.' You know: tell a story the way I want to hear a story. I find it more rewarding to write for kids, but I also find it a little easier, because you can just let loose a little bit more in terms of fantasy and stuff.
I'm constantly taking calls and responding to e-mails at home, and I find it best to have that little work space. And then when you're not at that little space, it's not work anymore.
I was going to become a youth worker because I do voluntary work with the kids in the little village where I live. I make little films with them and stuff when I'm not working. I thought, I'll pack it in then, and go and do something I love doing, and get a regular job because I've got two kids and a mortgage.
I was going to become a youth worker because I do voluntary work with the kids in the little village where I live. I make little films with them and stuff when I'm not working. I thought, I'll pack it in then and go and do something I love doing, and get a regular job because I've got two kids and a mortgage.
Notes are tricky in an audition, because I find, more often than not, my instinct is right. If they have a preconceived notion about the role and it goes against my instinct, unless it makes sense to me, it often throws off what I'm trying to do. Though sometimes they have an insight that I don't because they've been living with the script. I don't have one feeling or another about notes, but it is always a little bit of a red alert when I get one in an audition.
Throughout my childhood, I had served as an interpreter for my family. When I left home, I also left the Deaf community. I'd had enough of being a de facto intermediary and wanted to find my own identity. But, over time, I learned to embrace both cultures and find balance between them. I love my Deaf and CODA family and hope they would be proud to call me one of their own.
I think with comedy I get very sort of critical of myself and try and do the best I can and it doesn't come as second nature. I work at those kinds of films. It doesn't mean I can't do them - I've done two now, and I have a great time doing them, but I just find myself a little bit more neurotic.
I find, surprisingly, that actors are liberated in their work if there's stuff going on around them, because they can't think too much about who they're supposed to be.
I have always practiced by myself. It's just because that is when I can do the most work, the most efficient work, is when I am by myself, and I think I just find a little bit of peace when it comes to being able to be out here on the golf course, and you are just you and yourself and your thoughts.
I shouldn't say this, but I always love the sidekicks. I want to do a leading-lady role in a film - absolutely. But I find that a lot of times I get attracted to the sidekick role. They stand out a little more because they're quirkier, they're funnier, they're crazier.
I try not to push characters too close to myself because they get harder to write, but as a writer, you try to find odd little personal experiences that you hope are universal or think might be universal.
Then very slowly I go to slightly lighter colors until little by little, the forms begin to take shape and I start to see what is happening. Since I never plan in advance, I simply let myself be led by instinct, taste and intuition. And it is in this manner that I find myself creating visions that I have never before imagined. And little by little certain color effects develop that excite me and I find the painting itself leading me on and I become only an instrument of a greater, wiser force...or being...or intelligence than I myself am.
I love to work out and really enjoy the outdoors. I like to immerse myself with sport-related activities and spending quality time with people. I find people to be very inspiring, and I get a lot of motivation from listening and interacting with them, sharing stories and similarities - and differences - in our lives, and learning from each other.
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