A Quote by Jason Segel
It [voicing animation] is very freeing. Nobody in the cast is doing their voice. No one is talking like they normally talk and it's because, all of a sudden, you're freed from the physical limitations of how you look, which is amazing.
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The whole thing that drew me to doing an animated film is that you're freed from the physical limitations of your physical body. All of a sudden, you get to be something that has nothing to do with the fact that I'm a 6'4", lumbering dude, and that is really exciting.
I just like voicing films in general. I do a lot of documentary work and it's a short hop really to narrating a character, especially if you're on film and you're there in a visual way. It sounds obvious, but voicing an animation really focuses you on the way that you're communicating through your voice. It's a very specific ability that you need to be able to have in order to pitch it just right.
Kanye is the best. I'm obsessed with him to the nine. There's nobody smarter, cooler. I sit for hours talking to him sometimes. There's nobody more amazing, brilliant, innovative. He talks to me and I leave him and I'm like How am I going to talk to regular people now?
I love doing the voice of Batman because of the quality of the animation. The music is particularly incredible. Another bonus is getting the opportunity to work with some very respected actors who do not usually do voice work.
In animation, no one gets to see your face, so you can really mess up with your voice like I did 'ParaNorman;' I was a bully in that, which was so much fun to do. In 'How to Train Your Dragon,' I'm a little Viking character. So, it's kind of exciting to play these roles that you normally wouldn't get to play in a live-action movie.
I went through some tough times because if you're used to having a voice in contemporary culture and all of sudden, you don't have that voice, you don't have that outlet. I didn't appreciate that. I didn't understand how important that was to me. And all of a sudden, after investing all this time and energy, I had no identity. I didn't know who I was. I didn't know what I had to say. I didn't have a way to say it. It was very painful.
There's always room out there for the hand-drawn image. I personally like the imperfection of hand drawing as opposed to the slick look of computer animation. But you can do good stuff either way. The Pixar movies are amazing in what they do, but there's plenty of independent animators who are doing really amazing things as well.
Normally you can't hear you're own voice because you're talking over it.
The Muslim women that I have met are super-powerful and amazing and smart and they are, they're not allowing themselves to be held back by the laws that exist. And you know, the Internet exists now, and mobile phones are freeing up stuff. I have a really good friend who's from Iran and a really good friend who's from Kuwait, and they talk about getting music on the black market and how that's such an intense, amazing experience. And how they value the music so much more, because it's such a risk to own it.
People assume that because I'm a celebrity and have this platform that I always know what I'm talking about. I guess I don't always know what I'm talking about because I'm a kid who's trying to figure it out amid all the chaos of the world at large, and also the chaos of having this voice and responsibility. At the same time, this voice and responsibility has been the biggest blessing because I'm able to create change just by posting something on Instagram. That's really amazing. I can't believe that I get to have that megaphone and I get to decide how to use it.
You look at Russia's doing with their nuclear capability and the newness of their capability, and look at we're - what we're doing, and nobody wants to do that with respect to nukes because nukes are horrible. But you have countries that are going out of their way to do things that we're not doing. And we have to be very, very careful.
In my opinion, animation is best when it communicates without words, because it is the perfect medium through which to make shortcuts to meaning. When actors are not talking, just acting out, it looks kind of weird. But in animation, mime is constant, and you accept it.
I feel like talking to people who don't tour, when you talk about touring - obviously we're super blessed and very lucky to be doing what we do - but there are so many weird things that could never happen anywhere else. When I talk to people who don't tour they look at me like I'm being bratty and complaining about this job that I have. It's not that! It's the fact that when I'm home I can exercise every day, I can cook myself good meals, then when I'm on the road for a long time it's like, "There's a Subway. I guess I'm eating a bowl full of lettuce because I don't eat McDonalds."
Voice acting is very different from live-action. You only have one tool to convey emotion. You can't sell a line with a look. It's all about your vocal instrument. Doing voice work is also great because you don't have to get your hair done, which I despise.
Not only do we have the handsomest voice cast out there, along with the very lovely Black Widow, we also have an incredible voice cast, in terms of being able to handle the drama, the fun, the excitement and the promise that Marvel brings to every single one of our projects, which is epic adventure on the human spirit.
I've got three kids. I worry about them but the gospel freed me and freed my wife. We are not trying to make our kids think that we're super spiritual or we've got it all together. They see mom and dad being real people. What they hear dad talking about at home is not different from what they see from dad [at church]. That won't guarantee that they'll avoid the whole PK, MK thing. But we are hopefully not contributing to what normally produces that crisis, which is pretending.
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