A Quote by Jack Antonoff

I need a hobby, and I don't want it to be basketball. I want it to be music. So to get away from music, I do other music. — © Jack Antonoff
I need a hobby, and I don't want it to be basketball. I want it to be music. So to get away from music, I do other music.
I have crazy, different influences in my songs. I want rap music, I want Congolese rumba, I want salsa, I want dance music, I want hip-hop music, all mixed into one!
I don't only like rock music. There are other forms of music that I find interesting. I would want to do everything, every kind of music. I wouldn't want to be limited to like playing heavy metal or whatever.
Music is not a hobby, not even a passion with me; music is me. I feel what people get out of me is this outlook on life, which comes out in my music. My music is the last expression of all that.
You know how a lot of people say, 'I lose myself in music,' or 'I like to escape,' but I want my music to be more of an awakening. I want it to make people to be aware of life; I don't want my music to be a distraction. I want to light a path.
I think the most important thing about what musicians do is the music. You can be as big an arsehole as you want but if you're not making good music, you won't get away with it.
It's such a cliche thing to say. I want to choreograph, I want to direct, I want to act, I want to write music, I want to play music, I want to sing. For me, it's never-ending. I want to do it all, really.
I want to choreograph, I want to direct, I want to act, I want to write music, I want to play music, I want to sing. For me, it's never-ending. I want to do it all, really.
That's the kind of music I want SoulBird to represent: music with intelligence and heart, music that moves people in their souls and their bodies. Music with wings.
People get caught up in making music with a trend. You're time stamping your music and I'm guilty of it to. But, I want to make music where five, ten years from now it brought back a memory or brought an emotion out of them they want to feel.
We do this for the art, not the adulation. I'd rather our music get liked and we get ignored. I don't want to be adored for anything other than the music.
I am the princess of G.O.O.D. Music, the first lady of G.O.O.D. Music, the baby of G.O.O.D. Music. I'm kinda the spoiled brat right now. I could get whatever I want.
Music is music and I think music people are the delivers, the actors, when they put their music out they want to insert their character in it. So they call it such and such so you know how they live so to speak.
Growing up, my grandmother did not want worldly music in the house. Then when I went out to California, I started listening to Spanish music, mostly Mexican music. But were I in Egypt, I would listen to the music of the people, or if I was in Italy, I'd listen to Italian music.
I write my music with the idea that it will appeal to all of those people, and I want them to go in with all the history that's within all of us - all the things that they've listened to in the backs of their minds, whether it's country music or minimal techno, or classical music or whatever. I want them to bring that excitement, that love, or that hate, or whatever it might be, to my music. I feel that my music draws on so many different things.
Obviously I want my music on the radio and I want my record to do well, but I also have a totally different career, so a lot of people who are in music are just in music and can dedicate all their time to that and I can't do that, so I really want to have both things and I'm just trying to figure out how.
I love all types of music - jazz, great pop music, world music and folk music - but the music I listen to most is piano music from the 18th, 19th and 20th century. Russian music in particular.
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