A Quote by Jack Black

You only have to go hardcore humiliation on the first film. On the subsequent sequels, you can coast. — © Jack Black
You only have to go hardcore humiliation on the first film. On the subsequent sequels, you can coast.
What is hardcore? Hardcore is not just being hardcore, hardcore is going in the ring and giving 100% of yourself. Hardcore is great fans.
I think true connectivity is something that is rare in sequels. I mean I love the first 'Die Hard' film; you won't find a bigger 'Die Hard' fan than me. But I feel like with the sequels, they're just taking that character and dropping him in different scenarios. There's no real connective tissue.
Two subsequent incidents of import established CNN: the explosion of the space shuttle Challenger in 1986, which CNN was the only network to cover as it happened, and the 1991 Gulf War, which CNN chronicled round the clock from a proximity as irresistible as it was alarming, bomb blasts and gunfire lighting up TV screens from coast to coast.
Sequels are hard. What people want is to see the first film again for the first time and that simply isn't possible.
The thing I do miss about the way some sequels were in the past was that each film felt like its own unique, complete tone. Now, sequels are tonal facsimiles of the ones before them, like a television series, whereas back in the past sequels would often be radically different from the ones before.
Sequels face the risk of being constantly compared to the first film.
I had signed a four-film contract at the time of the first 'Deadpool' film. So I always knew that I'd be working in the subsequent installments of 'Deadpool.'
Personal humiliation was painful. Humiliation of one's family was much worse. Humiliation of one's social status was agony to bear. But humiliation of one's nation was the most excruciating of human miseries.
In starting to learn about film festivals and what were good ones - 'cause there are five billion of them - it was just a really good East Coast festival. And I thought this little movie was an East Coast film.
It's always scary when you're doing a sequel to a film, because you don't want to just repeat the first film in a different location like most sequels. You want to do something totally different, and something that actually expands the world of the main character.
I mean we [The Beatles] had to go through humiliation upon humiliation with the middle classes and showbiz and Lord Mayors and all that. They were so condescending and stupid. Everybody trying to use us. It was a special humiliation for me because I could never keep my mouth shut and I'd always have to be drunk or pilled to counteract this pressure. It was really hell .
Half of my family is in Los Angeles, so my cousin was the first person to play me, like, Snoop Dogg, and I would always feel like 'Omg I shouldn't be listening to this,' and my other cousin was the first to introduce me to Aaliyah, so every time I'd go to the West Coast, I'd get those West Coast vibes.
Half of my family is in Los Angeles, so my cousin was the first person to play me, like, Snoop Dogg, and I would always feel like, 'OMG, I shouldn't be listening to this,' and my other cousin was the first to introduce me to Aaliyah, so every time I'd go to the West Coast, I'd get those West Coast vibes.
Yes, the first draft is the key. That's why I put so much energy, focus, and attention on the first draft, because I respect that first go at the story. If I don't have the key in that first draft, I invariably won't get it in subsequent drafts, though I can craft around it.
'Main Hoon Na' will always be special since it was my first film but in my subsequent films, I was trying to show off with gimmicks that didn't aid the narrative in any way.
A writer once said to me, If you ever go to America, go either to the East Coast or the West Coast: The rest is a desert full of bigots. That's what I think I'd like . . . a version of pastoral.
This site uses cookies to ensure you get the best experience. More info...
Got it!