A Quote by Jack Gleeson

Ever since my mother sent me to Saturday morning grammar classes when I was 7, I wanted to become a famous actor. I loved the idea of captivating an audience and moving them truly through performance, but more importantly being recognized and heavily lauded for that talent.
My mother really didn't come from artists. Her famous quote to me was, "The only artists I've ever heard of are dead." The pottery classes were meant to be a part of my overall uplift. I knew what it meant to be sent to art classes, but I still didn't know anything about being an artist.
Ever since grammar school, I knew I wanted to be famous - I always wanted to be a singer.
Before acting, I wanted to become a journalist. I also toyed with the idea of being a chef - but that's only when people asked me what I wanted to be. In fact, I always used to say I wanted to be an actor, but I didn't ever believe that I was good enough to be come one.
I was always going to act, literally ever since I was tiny. In fact, I have Doctor Who to thank for that. I wanted to become an actor after being obsessed with Tom Baker, the fourth Doctor Who, in the 1970s. His was the definitive performance of all time in anything.
I never wanted to become an actor to be famous. I just wanted to be a good actor. It served me pretty well.
My mother recognized my artistic talent and looked for someone to teach me to grow my abilities. She found an artist on the street who sent his daughter, Umba, over to begin teaching me when I was only three years of age.
Every single performance of 'Fleabag,' I would learn so much from the audience reaction or how you could change it all the time, and I loved that sense that the performance is ever-growing and changing and could be affected by the audience.
When I went to college, I wanted to major in kinesiology. That's what I wanted to do, but just the way our schedule matched up - our football schedule and the college of kinesiology - all the classes were in the morning and football practice was in the morning. So there was no way for me to take all the classes that I needed to. Once I got into those core classes, it would have been hard for me to do it.
Americans respect talent only insofar as it leads to fame, and we reserve our most fervent admiration for famous people who destroy their lives as well as their talent. The fatal flaws of Elvis, Judy, and Marilyn register much higher on our national applause meter than their living achievements. In Amerca, talent is merely a tool for becoming famous in life so you can become more famous in death - where all are equal.
Being a mother is the best thing that ever happened to me. Before you have your first baby you are a girl and then you become a mother. There is no transition into being a woman; you literally become a mum and being a mum means you always love someone else more than yourself and it is an unexplainable situation.
I'm not just a rapper; I'm an intelligent young man. But being able to give my mother everything she's ever wanted, I could care less about being famous or the money; that's my dream. That's all that matters to me.
The truth is, ever since I was little, I've wanted to be an actor more than I ever wanted to be a movie star.
I wanted to be a musician but I didn't have the talent for it, so I decided I wanted to be famous, so I became an actor.
Moving to Flagstaff from the big city of Melbourne taught me what it takes to become a better runner. For one, there is the altitude, but more importantly, seeking the best is about being surrounded by the best.
In truly great films - the ones that people need to make, the ones that start speaking through them, the ones that keep moving into territory that is more and more unfathomable and uncomfortable - nothing's ever simple or neatly resolved. You're left with a mystery.
Once a little boy sent me a charming card with a little drawing on it. I loved it. I answer all my children’s letters — sometimes very hastily — but this one I lingered over. I sent him a card and I drew a picture of a Wild Thing on it. I wrote, “Dear Jim: I loved your card.” Then I got a letter back from his mother and she said, “Jim loved your card so much he ate it.” That to me was one of the highest compliments I’ve ever received. He didn’t care that it was an original Maurice Sendak drawing or anything. He saw it, he loved it, he ate it.
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