A Quote by Jack Kerouac
I can't think of anybody...who knows the sum and substance of what I know and feel and cry about in my secret self all the time when I don't feel strong, the sorrows of time and personality, and can therefore on all levels make it all the way with me
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If there is any secret to my success, I think it's that my characters are very real to me. I feel everything they feel, and therefore I think my readers care about them.
I think it's one of the nicest privileges as an actor is to know that you can move people in one moment, make them think about their lives, or make them laugh or make them cry or make them understand something. Or just make them feel something because I think so many of us, including myself, spend too much time not feeling enough, you know?
It's not my story anymore: whenever I speak about the past now, I feel as if I were talking about something that has nothing to do with me. All that remains in the present are the voice, the presence, and the importance of fulfilling my mission. I don't regret difficulties I experienced; I think they helped me to become the person I am today, I feel the way a warrior must feel after years of training; he doesn't remember the details of everything he learned, but he knows how to strike when the time is right.
Only in the 20th century, artists started taking the study of perception in a more humane way. They were thinking about the eye as being an instrument, the whole body as being a visual instrument. That sort of gave way a little bit with Cartesian - the "Cogito ergo sum" argument. It's not, "I think therefore I exist." It's, "I feel therefore I think therefore I exist."
Anyone who knows me knows that I don't know anything about politics. Every time I go to Washington, I feel like I'm in Legally Blonde.
At that time, I feel sad, and I feel no one knows how hard I work and how many tears. They only know the score. At that time, I feel very lonely because no one understands since they haven't been world No. 1 before.
I'm asked all the time in interviews about who I am, and I know a few people my age who have a strong sense of self, but I couldn't say I know myself and sum it up and give it to you in a little package. I don't know myself at all yet.
That's what just hit me: How you really can't have everything. You have to give up the old to get the new. You can't be the child and the mom at the same time. You can't be your young self and your old self at the same time. You can't know what you know now and feel the way you did then. You can't, you can't, you can't.
Pulp Fiction won the Palme d'Or and people said: "Wait a minute, he's actually smart and he knows what he's doing!" I feel that with Hostel, any time you make a film like that it's going to illicit a strong reaction and you can't worry about that.
I cry all the time when I watch 'Glee' because I don't know if it's satire or melodrama and that makes me feel like the writing is aware of itself, and that makes it OK to cry.
It doesn't happen all the time, but when I'm playing well it's as if my eyes change. I can feel it. I just feel like Dr. Jekyll and Mr. Hyde-a transformation happens, I'm a totally different human being. I don't hear anybody, I don't see anybody, nothing bothers me, nothing is going to interfere with what I'm about to do.
I've always felt I carried a golden secret, a wonderful secret. Every time I thought about it, it made me feel warm inside and good.
I think a lot of acting is about the removal of self-consciousness. The actor is going to be in front of a lot of people, and will naturally feel self-conscious. So a lot of the preparation for that is the removal of that idea. Like you embody or are connected to this character, therefore you can present this character in a way that eventually, when you come back to see it, you feel not exactly ashamed of.
What every woman knows is that we are remade each time we make love, each time we give birth; each time we feel the blood making its way through our body into our cupped hands, we remember it is our destiny to make change.
I'm the best player in the draft. I truly feel that way. But I feel like you can ask anybody in the draft and they would have said the same thing. I just feel like I showcased it on many levels and I was put through so many different scenarios where I had to make the best out of it. And I had a lot of success with it.
I love life... Well yeah, and I'm sad, but at the same time I'm really happy that something could make me feel that sad. It's like, it makes me feel alive, you know? It makes me feel human. And the only way I could feel this sad now is if I felt somethin' really good before. So I have to take the bad with the good, so I guess what I'm feelin' is like a, beautiful sadness.
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