A Quote by Jack Kerouac

All my editors since Malcolm Cowley have had instructions to leave my prose exactly as I wrote it. In the days of Malcolm Cowley, with 'On the Road' and 'The Dharma Bums', I had no power to stand by my style for better or for worse.
Elements within Malcolm's X own entourage, some of them were very angry with some of the changes that had occurred with Malcolm. One source of anger, curiously enough, was that - was the tension between MMI and OAAU, that the MMI, the Muslim Mosque Incorporated, these were women and men who had left the Nation of Islam out of loyalty to Malcolm, but then Malcolm continued to evolve rapidly.
Luckily, I remembered something Malcolm Cowley had taught us at Stanford - perhaps the most important lesson a writing class (not a writer, understand, but a class) can ever learn. 'Be gentle with one another's efforts,' he often admonished us. 'Be kind and considerate with your criticism. Always remember that it's just as hard to write a bad book as it is to write a good book.'
The MMI brothers, who provided security for Malcolm X had been trained by Malcolm himself that inside of the Nation of Islam, whenever there is a diversion, you protect the principal. The principal, in this case Malcolm, clearly was not protected on February 21st [1965].
I always had a deep affection for Malcolm and felt that he had a great ability to put his finger on the existence and the root of the problem. He was an eloquent spokesman for his point of view and no one can honestly doubt that Malcolm had a great concern for the problems we face as a race.
The death of Malcolm Fraser underwrites a great loss to Australia... I always thought Malcolm would be around a lot longer. I must say, I wished he had been.
Milton had a highly imaginative, Cowley a very fanciful mind.
There's a hidden history. You see, Malcolm X and [Alex ] Haley collaborated to produce a magnificent narrative about the life of Malcolm X, but the two men had very different motives in coming together.
Ive had Malcolm since I was 12.
'The Autobiography of Malcolm X.' I've used it to demonstrate racial attitudes to people who I thought needed a better understanding of all human beings. Malcolm was not a racist. He was not looking for revenge. He realized that kindness and goodness did not come from any one kind of person.
Coming up, the music of my era was very conscious. I grew up on Public Enemy, and it was popular culture to be aware. People were wearing Malcolm X T-shirts and Malcolm X hats. It was a very cool thing to know who Malcolm X was. It was all in the lyrics. It was trendy to be conscious and aware.
I have asked James Shabazz, I've asked other people who are members of the OAAU, Herman Ferguson and others, what led to that disastrous decision [that the guards didn't carry weapons]? James Shabazz said to me with a shrug, you just didn't know Malcolm. Malcolm was adamant, and that whatever Malcolm wanted, that's what we just did.
The NYPD was ubiquitous. They were always around Malcolm X. Whenever Malcolm spoke, there would be one or two dozen cops all over the place.
Malcolm's X objective was actually to reingratiate himself within the Nation of Islam, that because he had emerged by the early 1960s as a very prominent figure outside of the N.O.I., there were critics within the organization that were saying to the patriarch of the N.O.I., the Honorable Elijah Mohammad, that Malcolm planned to take over the organization, which was not true.
Malcolm X represents the cutting edge of a kind of critique of globalization in the 21st century. In fact, Malcolm, if anything, was far ahead of the curve in so many ways.
One of the striking things about doing research on Malcolm X, and I believe that most Malcolm X researchers could tell you their own stories, is that there's this paradox of the absence of critical information.
Malcolm X finally became the person he was meant and raised to be. He fought against the forces of racism to return to that. Malcolm wanted to inspire other people to find their own strength.
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