A Quote by Jackie Collins

I don't like being in one place too long. Five days just about does it for me because I have a very low threshold for boredom. — © Jackie Collins
I don't like being in one place too long. Five days just about does it for me because I have a very low threshold for boredom.
I have a very low boredom threshold.
I have a really low boredom threshold.
My boredom threshold is low at the best of times but I have spent more time being slowly and excruciatingly bored by children than any other section of the human race.
Writing is a deeply immersive experience. When the words are flying, the house could be burgled and I wouldn’t notice. I have a low boredom threshold and I like intensity – writing is a way of escaping the quotidian.
Sometimes many publishers prefer that you write the same book every time, but I have a low boredom threshold so that isn't going to happen.
According to Gur's theory of boredom, everything that happens in the world today is because of boredom: love, war, inventions, fake fireplaces - ninety-five percent of all that is pure boredom.
I was very, very shocked about Cooperstown. I thought my chances were fairly good, but I tried to stay low key about it, not too high and not too low. That was the way I played, too.
I didn't know Harlem existed. I didn't know there was such a place, because I grew up in white Queens, where five miles is 100 miles. So I went to the school and, being a smart cookie - as they called us in those days - I had a million questions. How did this place exist? How come I didn't know about it? Why are people living like this? Do they want to live like this?
I wrote Her First American and I always say it took me eighteen years. It took me that long was because after about five years I stopped and wrote Lucinella. I got stuck; it was too hard to write. Lucinella felt like a lark. I wanted to write about the literary circle because it amused me, and I allowed myself to do what I wanted to do. It's just one of the things I'm allowed to do if I feel like it.
A little bit of this town goes a very long way. After five days in Vegas you feel like you've been here for five years.
We've got some difficult days ahead. But it doesn't matter with me now. Because I've been to the mountaintop. And I don't mind. Like anybody, I would like to live a long life. Longevity has its place. But I'm not concerned about that now. I just want to do God's will. And he's allowed me to go up to the mountaintop. And I've looked over. And I've seen the promised land.
Bliss - a-second-by-second joy and gratitude at the gift of being alive, conscious - lies on the other side of crushing, crushing boredom. Pay close attention to the most tedious thing you can find (Tax Returns, Televised Golf) and, in waves, a boredom like you’ve never known will wash over you and just about kill you. Ride these out, and it’s like stepping from black and white into color. Like water after days in the desert. Instant bliss in every atom.
I wanted to make good records. But my problem is I've got a low boredom threshold, so I wanted it to look and sound different with each album, which is really tantamount to suicide, cause people lose it, they lose it - they say: 'I like that, and that's not this.'
I would change very little because I have been very, very fortunate. A lot of things fell into place for me simply by happenstance. When that happens you don't really want to change anything, even if you could. Editorially my regrets are few and for the most part minor. I look back on my first published book and think I held on to it too long, babied it too long.
Good digestions, the gray monotony of provincial life, and the boredom-ah the soul-destroying boredom-of long days of mild content.
I was a housewife, I suppose, and luckily I have a very high boredom threshold.
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