A Quote by Jacki Weaver

One of the things you learn at drama school is not to play the result, but just to play the moment. — © Jacki Weaver
One of the things you learn at drama school is not to play the result, but just to play the moment.
There's a rule in acting called, 'Don't play the result.' If you have a character who's going to end up in a certain place, don't play that until you get there. Play each scene and each beat as it comes. And that's what you do in life: You don't play the result.
I learned to play football in the streets. Every day of school, everyone came and played football. The street is a good school, and you learn many things there - resiliency, how to play against older players, and how to put up with or dodge kicks.
John Cassavetes was a year ahead of me but we met there. What you do when you are at a school for drama, you do a play as opposed to a final. Anyone who wanted to come could just come. So he came, and I can't remember the name of the play, of course, it was a long time ago.
We don’t have to do a bunch of things to figure out how to win the Ryder Cup. Just go play golf. ... I’m a little bit too casual probably about a lot of things, but you can’t force good play. Good play comes from good hard work and actually being prepared to play, not being forced to play.
I think I'm always subconsciously trying to write the ideal school play. Lots of parts for everybody, great parts for women - don't forget, more girls try out than boys in the school play; everyone gets to be in the school play.
I've always been taught to just play the truth of the situation. If comedy comes out of that, or drama, whatever comes out of it, at least I'm playing the truth of the moment-to-moment reality.
My favorite play in drama school was 'The Bacchae.' It's about a king who literally gets eaten alive by all the women in the play in a kind of orgy - it's related to the word 'bacchanal' - and I loved that idea of animalistic chaos and following our own desires.
I look at my early career, and you know, when I left drama school, for a young Asian actor, you could either play a doctor on 'Holby City,' or you could play a terrorist in 'Spooks' and get to wear a nice shiny suit.
In high school, the drama program shifted to musicals, and that's not a skill set I possess, so I let sports be my outlet, and I agreed to play football in college. I was invited to play at the University of Missouri, and I played there for a year, but when all of the talented people are plucked and put in one place, it's scary; it's tough.
When I was a kid, I would come home from school, throw my bag, go out to play. My daughter comes home from school, throws her bag, goes to play, but sitting in front of the computer because their definition of play has changed. They don't go out to play. They play on the computer with their friends.
When I decided to go to university I didn't know what I wanted to do. When I had an opportunity to take an elective I took Drama by chance, even though I'd never taken a Drama course or even been in a play in high school. Two years later I was majoring in Drama and I knew I wanted to be an actor.
I was incredibly nervous about doing a period drama. I thought that to play period, you had to be English-looking and blonde and very well spoken, and have gone to drama school.
School doesn't teach you much. School teaches you how to follow directions, that's what school is for. And in life, not necessarily following directions helps you get certain places - because you go to the right school you can learn the right things, and you go to the wrong school you can learn the wrong things, so it just all depends. But school doesn't really teach you how to interact with people properly, you learn that outside of school.
That straight man character is a short trip between comedy and drama in a project, so I can play the comedic beat on the same page as a dramatic beat. It gives me a lot of freedom as an actor to play scenes in multiple ways because I don't play the clown, nor do I play someone who is particularly maudlin.
When I realised that what I do really well is play women who are tough and vulnerable, it was a moment of clarity. Many female characters either have one trait or the other, but I play both. I don't need to play characters who are like me. I can just do that with my life.
My hopes and aspirations haven't changed since I started in this business. They've been to be able to play drama, to be able to play comedy, to be able to play leading men, and to be able to play character roles. I have no other aspirations in this regard.
This site uses cookies to ensure you get the best experience. More info...
Got it!