A Quote by Jackie Chan

In the past when I was in Hollywood, I was like a dog. I felt humiliated. My English was not good. People would even ask me 'Jackie Who?'. — © Jackie Chan
In the past when I was in Hollywood, I was like a dog. I felt humiliated. My English was not good. People would even ask me 'Jackie Who?'.
I don't think I've got a thick skin, but I've not felt particularly humiliated by the things which people think I would have felt humiliated by, such as losing my seat in 1997 and not being elected leader in 2001. In the second case, I felt relieved.
Dogs want to be people. That's what their lives are about. They don't like being a dog. They're with people all the time, they want to graduate. My dog would sit there all day, he would watch me walk by, he would think to himself, "I could do that! He's not that good.
Writing has always felt like a compulsion. Even at high school there'd be times when people would ask me if I wanted to go and hang out and I'd sit home and write instead.
My son tells me, 'Do you realize you are the last one? The last person who was an eyewitness to the golden age?' Young people, even in Hollywood, ask me, 'Were you really married to Humphrey Bogart?' 'Well, yes, I think I was,' I reply. You realize yourself when you start reflecting - because I don't live in the past, although your past is so much a part of what you are - that you can't ignore it. But I don't look at scrapbooks. I could show you some, but I'd have to climb ladders, and I can't climb
I felt that one had better die fighting against injustice than to die like a dog or rat in a trap. I had already determined to sell my life as dearly as possible if attacked. I felt if I could take one lyncher with me, this would even up the score a little bit.
Elvis Presley's talent brightened millions of lives. He widened the horizons of my world certainly. The first record I ever owned was a 78 rpm of "Hound Dog" backed by "Don't Be Cruel" and when I listened to those tunes I felt about ten feet tall and I grinned so hard that I felt like the corners of my mouth would meet in the back and the tip of my head would simply topple off. All I know about Rock and Roll is that it makes people feel good. Elvis Presley more than made me feel good, he enriched my life and made it better.
I believe that I was a dog in a past life. That's the only thing that would explain why I like to snack on Purina Dog Chow.
People would always ask me how I came up with my music and what it felt like to make music, and I would always see colours, and then I found out that that was synaesthesia. It helps me understand songs and what I like.
Oh God, you know what would be really good for me is a dog locater - it would save me the hours that I have to spend looking for my dog.
But I've always felt very comfortable on stage, even if I screw up. It always felt like a dog, this is my turf, piss around it. While I'm here, nothing else can happen. All I can do is screw up. Otherwise, have a good time.
It's not really important that Tip was a good dog to hunt over, but it is important to me that she was a good dog to be with. She was my pal. We enjoyed being with each other. I don't know that you can ask for much more.
Even here, in the U.S., I walk my daughter's dog and I look for interesting people sitting at a picnic table and I walk over with my white hair and I ask, "Would you mind if I sat and rested here for a minute?" Nobody would refuse that.
There's nothing in Hollywood that's inherently detrimental to good art. I think that's a fallacy that we've created because we frame the work that way too overtly. 'This is Hollywood.' 'This isn't Hollywood.' It's like, 'No, this is actually all Hollywood.' People are just framing them differently.
The excuse of having a dog is great, because before I had a dog, I wouldn't be like, 'I need to go hike for two hours'; my girlfriend would have been like, 'What are you doing?' Now I take the dog, and she comes with me.
There was a part of me that felt afraid of people in Hollywood going: '**** Hollywood with their total lack of originality!'.
By changing the way I experienced things, even just involving different details than in reality, I often felt I was betraying the past and playing an unfair game with the reader where he (of course) would ask himself "Did this really happen?"
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