A Quote by Jax Jones
I first started coming to Ibiza as a DJ; my debut set was at Sankeys with Duke Dumont. I wasn't really in the clubs, though, to be honest - I was mainly in the studio working.
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I think there's definitely a dance album or at least single in me somewhere. I would want to work with a really cool Ibiza DJ, though.
I've got a lot of girl mates. Especially when you come to Ibiza and you're an Ibiza DJ, everyone comes out and they want to see you.
Whenever you fly into Louisville, you see a sign that says, 'It's Possible Here.' I remember my first time seeing it - I think I was coming home from the studio in L.A. - I was working on my debut album, and I just thought, 'Wow, it is possible here.'
The studio is really fun because I don't make it into the studio unless I've got something I really like. I love working with different musicians in the studio; that's a real joy, working with someone for the first time.
I made my name and reputation DJing in hip-hop clubs in New York. 'Celebrity DJ' is a term that I hated. To me a celebrity DJ is someone that's on 'Big Brother' or in some kind of B-movie who gets a gig to DJ even though they're not talented enough to do it.
When I started 'Game of Thrones,' the first three seasons, I still DJ'd every night before I went on set. I'd finish DJing at 3 A.M. and have to be on set at 5 A.M.
Traditionally, with a DJ set, you just go hear DJ that has a good reputation and let the DJ take you somewhere. It was up to the DJ what he wanted to play. Typically in dance music, people didn't know most of the songs a DJ played.
I'd been DJ-ing in these clubs in N.Y. and I hated everything that was coming out. So I decided I would make it myself. People were making mash-ups or remixes, but I was extra bored, so I actually started remaking these records from scratch.
When I was working for Radio 1 in Ibiza I stayed in a horrible place with a tiny window and really noisy air conditioning - the last thing you need in Ibiza, where you're often a little bit the worse for wear at the end of the night.
I wouldn't call myself 'into the DJ scene.' I have friends who are DJs, like James Murphy. I was really into the DJ scene at his wedding. But generally, I'm not at the clubs. I've never been to a rave.
I don't spend that much time in the studio. When I first started doing music, I was in the studio every day just trying to build my portfolio. But now, even though I haven't totally mastered my craft, I'm at a pretty high level.
I was 18 when I first started working at a restaurant. I was a dishwasher. I only got the job because I wanted to go to Ibiza for vacation, and washing dishes was the only job I could find.
It was 4 or 5 years into my first design job before the idea of doing graphic design on computers started taking hold. I started working in 1980, the Macintosh was introduced in 1984, then the real desktop publishing only started coming around in 85-86, but it wasn't really until the end of the decade that the transition became irresistible.
The second track I made was the record 'I Got U,' which ended up becoming the Duke Dumont single with me featuring. It changed my life.
A Dumont actor was considered to be too stilted - the way we Dumont actors used to speak.
When I'm representing my music live I think of it very much in a rock band sense. When I first started doing festivals in the 90s there really weren't other DJs playing the stages I was playing. So I felt I was being afforded an opportunity to kind of make a statement about what DJ music can be live. In the 90s, if you were a DJ you were in the dance tent, and you were playing house music and techno music. There was no such thing as a DJ - a solo DJ - on a stage, after a rock band and before another rock band: that just didn't happen.
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