The biggest influence? I've had several at different times - but the biggest for me was Bob Dylan, who was a guy that came along when I was twelve or thirteen and just changed all the rules about what it meant to write songs.
I think everyone mentions Bob Dylan, but he's someone I just admire so much as a songwriter. I think people write songs, and then there's Bob Dylan songs. He's one step ahead of just everybody else.
Bob Dylan and Leonard Cohen. They're my biggest heroes. I love everything about Leonard Cohen: his lyrics and his voice. He seems like a really clever man, and Bob Dylan does as well. He's just really cool.
Bob Dylan, Neil Young, Merle Haggard, Hank Williams. All of them are different styles, but those are the songs that make the times. They're the songs that last through time.
I'm a huge Springsteen fan, and yet if either he or Bob Dylan had to be erased from the world's hard drive, I would save Bob Dylan's work for sure - he's the greater talent, and by leaps and bounds and skyscrapers and rocket blasts. But Bob Dylan is an alien to his public.
The single biggest inspiration I have was Bob Dylan.
Bobby Cox had the biggest influence in my career and probably the second- or third-biggest influence in my life.
There were times in my career when I would try to write songs like Bob Dylan... Artists get hooked up in that. To be a follower, you lose.
I'm also a big Bob Dylan fan. The songs on The Freewheelin' Bob Dylan - which is one of his best early albums - they grow out of some of his difficulties with Suze Rotolo, and "Hard Rain," people say it had to do with the Cuban missile crisis - probably not. He denied it. I believe him, but it certainly had to do with the time.
I came along with that crowd of singer-songwriters who were able to make their own statements in such a personal way that it changed the industry: Laura Nyro, Joni Mitchell, Bob Dylan, Sly and the Family Stone.
Most of the songs came from Europe and Africa and now they were coming back to us. Many of [Bob] Dylan's best songs came from Scotland, Ireland or England. It was a sort of cultural exchange.
My father wasn't a hard guy. He was a well-liked guy. He had a lot of compassion about things in life. There were rules, but there was also flexibility within those rules. He didn't push me when it came to golf: he just taught me the right way to play the game.
The biggest lessons I learned were probably the times where I had the biggest setbacks and the biggest challenges - when I had the biggest jumps forward and lessons learned.
I used to write on pads with a pen but had trouble reading the words the next day. Years later, Bob Dylan taught me to just write and write on a laptop computer. Then I'd print that out. When it was time to write a song, I'd go through the pages and sing melodies to words that moved me.
Dave Van Ronk, for those who don't know him - probably most don't know - was a folk singer. He's kind of the biggest person on the scene in 1961 in the folk revival in Greenwich Village, biggest person on the scene until Bob Dylan showed up.
Weirdly, by the way,[Bob] Dylan also managed to write several beautiful love songs, like "To Make You Feel My Love" (covered by Adele, Garth Brooks, Billy Joel, and who knows who else) and "Most of the Time." Go figure.
My expectations for myself were never high. I had a very unusual way of writing songs and of thinking about music. I wasn't at all like Bob Dylan or Simon and Garfunkel. I was completely different - I didn't have a David Geffen at my side.