A Quote by Janis Ian
I write a lot from instinct. But as you're writing out of instinct, once you reach a certain level as a songwriter, the craft is always there talking to you in the back of your head...that tells you when it's time to go to the chorus, when it's time to rhyme. Real basic craft... it's second nature.
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Like most art forms, writing is part instinct and part craft. The craft part is the part that can be taught, and that can make a crucial difference to lots of writers.
In America, where writers are preoccupied with the craft of writing, I always try to introduce this concept of the badly written good story. Turning the hierarchy around and putting passion on top and not craft, because when you just focus on craft, you can write something that is very sterile.
To hone my voice, I read everything, from books to cereal boxes, three times: once for fun, the second time to learn something new about the writing craft, and the third time was to improve that piece.
There's a lot of craft that goes into achieving a hit song - at the beginning of your career, you're usually more inspiration than craft, and you get great when those intersect. A skilled songwriter can get you to that intersection.
I'm always writing. A friend of mine once said, 'You avoid re-writing by writing.' Which is kind of a good point, because re-writing seems to be mostly about craft, and writing is just, like, getting out your passion on a piece of paper.
Mostly, I would like people to ask other writers about the craft of their writing so we could learn from one another. We ask movie directors why they chose to use certain lights and angles and speeds of film, but most of the time, we ignore the craft of a writer.
Read and write with a sensitive ear. The craft of writing is very important. Practice the craft.
It is just man's turning away from instinct--his opposing himself to instinct--that creates consciousness. Instinct is nature andseeks to perpetuate nature; while consciousness can only seek culture or its denial.
Don't you dare underestimate the power of your own instinct. Instinct is a lifesaver for sharks and entrepreneurs alike. Most people can recall times they ignored their gut only to regret it later. Learning to actually listen to your instinct is a great form of self-preservation. It's both incredibly easy and tough at the same time, but worth the effort to master.
Art is craft: all art is always and essentially a work of craft: but in the true work of art, before the craft and after it, is some essential durable core of being, which is what the craft works on, and shows, and sets free. The statue in the stone. How does the artist find that, see it, before it's visible? That is a real question.
The difference between art and craft lies not in the tools you hold in your hands, but in the mental set that guides them. For the artisan, craft is an end in itself. For you, the artist, craft is the vehicle for expressing your vision. Craft is the visible edge of art.
To be hopeful, to embrace one possibility after another that is surely the basic instinct - crying out: High tide! Time to move out into the glorious debris. Time to take this life for what it is!
Writing about real stuff that really concerned me brought out my craft. If you're writing a story about, 'Is Lois Lane gonna figure out that Superman is Clark Kent?' - it's really hard to get involved in that on anything other than a craft level. And I'm not gonna put down craftsmanship; it is a noble enough thing to have made a table that you can pound on and it doesn't fall down. But occasionally, we might have an assignment that engages some other parts of ourselves, and those tend to be the good stories.
If you're serious about what you're doing, you've got to keep your head and follow your instinct. Maybe you won't reach the same dizzy heights as others, but you will get something back.
The best option that you can have as an actor is pure instinct and you should be able to protect your instinct. Information can either cloud your instinct or aid it.
I really support criticism as a craft and as a vocation. People who devote as much time to thinking about sound through writing as I do practicing and forming it, the whole system of journalism seems to not yield rewards sustainable as a craft. So few can spend enough time to be serious about it and approach it with confidence and a kind of depth. And that's good on one level, because you have some leveling, that's kind of maybe leveled the petty fiefdoms of undeserving people but it's also made it hard to make a living as a writer.
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