A Quote by Jennifer Chiaverini
Kate Forsyth’s Bitter Greens is an enthralling concoction of history and magic, an absorbing, richly detailed, and heart-wrenching reimagining of a timeless fairytale.
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You lie, in faith; for you are call'd plain Kate, And bonny Kate and sometimes Kate the curst; But Kate, the prettiest Kate in Christendom Kate of Kate Hall, my super-dainty Kate, For dainties are all Kates, and therefore, Kate, Take this of me, Kate of my consolation; Hearing thy mildness praised in every town, Thy virtues spoke of, and thy beauty sounded, Yet not so deeply as to thee belongs, Myself am moved to woo thee for my wife.
When people use the term magic realism, usually they only mean 'magic' and they don't hear 'realism', whereas the way in which magic realism actually works is for the magic to be rooted in the real. It's both things. It's not just a fairytale moment. It's the surrealism that arises out of the real.
For almost half a century, Fermilab has occupied center stage as physicists have sought to understand the fundamental structure of the universe. The lab deserves a good history, and I'm happy to say that in this book it has one. The authors present a compelling, nuanced, and richly detailed account of the place from its beginnings to the present.
The heart of assimilation process of absorbing minorities lies in the self-image of a nation. There are, as you will know, big differences for instance between the self-image of the French and the English. And the Germans, in accordance with their rather chequered history, had at least in the past very little capacity for absorbing minorities.
This is what we've been waiting for: finally, an unprecedented critical analysis of the history of Dutch design. Mienke Simon Thomas's Dutch Design is a book to have and to read: an important and richly detailed study of the cultural, economical and social-political context of twentieth-century design in the Netherlands.
I wrote my novel 'Bitter Greens' as the creative component of a Doctorate of Creative Arts and am now looking at the history of the Rapunzel tale as my theoretical component.
In the desert I saw a creature, naked, bestial, Who, squatting upon the ground, Held his heart in his hands, And ate of it. I said, ‘Is it good, friend?’ ‘It is bitter — bitter,’ he answered, ‘But I like it Because it is bitter, And because it is my heart.
I believe there is some kind of magic that comes just from looking at somebody. In the beginning, I called it "Genius" in a very cynical way. Then I started to look at real geniuses in history and all of them have the same expression, of something very bitter. It's bitter because they have this kind of knowledge that they cannot share. They don't have the time or energy to deal with other people.
If you can see the magic in a fairytale, you can face the future.
Fine food is poison. It can be as bitter as antimony and bitter almonds and as repulsive as swallowing live toads. Like the poison the emperor took every day to stop himself being poisoned, fine food must be taken daily until the system becomes immune to its ravages and the taste buds beaten and abused to the point where they not only accept but savour every vile concoction under the sun.
ONE BLOOD is a richly detailed, intricately woven tale rendered in lush, evocative prose. This memorable debut heralds Qwantu Amaru as a talent well worth watching.
It's a fairytale so tragic there's no prince to break the spell. I don't believe in magic, but for you I will
Everyone who was ever told a fairytale knows what happens to women who do their own magic.
The Christian church has a long history of gradually absorbing scientific perspectives and new discoveries. It seems to me that, in fact, that has been one of the strengths of Christianity - it has ultimately had great flexibility in absorbing new information about the world that we get from science.
A richly detailed, poignant, and utterly fascinating look into another culture and how it is cross-pollinated by our own. It brings to mind the work of Ha Jin in its power and revelation of the new.
Once upon a time, there was a Magic Kingdom made of hopes and childhood fantasies. A timeless place where every land was filled with wonder. A place where everyone who entered its gates would be given the gift of the young at heart.
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