A Quote by Jennifer Elvgren
The fear factor was my greatest challenge with The Whispering Town. How could I portray danger without really frightening the youngest readers and without diluting the story?
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I don't really know why, but danger has always been an important thing in my life - to see how far I could lean without falling, how fast I could go without cracking up.
Without danger I cannot be great. That is how I pay for Abel's blood. Danger and fear follow my steps everywhere. Without them courage would have no sense. And it is courage, courage, courage that raises the blood of life to crimson splendor.
We can't make America great again without love, without hope, without justice, without peace and without an acknowledgement that the fear that was stoked not only by President-Elect Trump's campaign, but also a lot of fear was stoked by Democrats as well, but there are people who are really fearful.
Genius is neither learned nor acquired. It is knowing without experience. It is risking without fear of failure. It is perception without touch. It is understanding without research. It is certainty without proof. It is ability without practice. It is invention without limitations. It is imagination without boundaries. It is creativity without constraints. It is...extraordinary intelligence!
Every memorable act in the history of the world is a triumph of enthusiasm. Nothing great was ever achieved without it because it gives any challenge or any occupation, no mater how frightening or difficult, a new meaning. Without enthusiasm you are doomed to a life of mediocrity but with it you can accomplish miracles
God seems to have a delightful way of upsetting the things we have calculated on without taking Him into account. We get into circumstances which were not chosen by God, and suddenly we find we have been calculating without God; He has not entered in as a living factor. The one thing that keeps us from the possibility of worrying is bringing God in as the greatest factor in all our calculations.
You can not pluck roses without fear of thorns, Nor enjoy a fair wife without danger of horns.
All along — not only since she left, but for a decade before — I had been imagining her without listening, without knowing that she made as a poor a window as I did. And so I could not imagine her as a person who could feel fear, who could feel isolated in a roomful of people, who could be shy about her record collection because it was too personal to share. Someone who might have read travel books to escape having to live in the town that so many people escape to. Someone who — because no one thought she was a person — had no one to really talk to.
This fear is one of the horrors of an author's life. Where does work come from? What chance, what small episode will start the chain of creation? I once wrote a story about a writer who could not write anymore, and my friend Tennessee Williams said, 'How could you dare write that story, it's the most frightening work I have ever read.' I was pretty well sunk while I was writing it.
We must know how to confide. There is the fear of God and the fear of a Judas. Too much fear makes one labour without love, and too much confidence prevents from considering the danger which we must overcome.
Muscles without strength, friendship without trust, opinion without risk, change without aesthetics, age without values, food without nourishment, power without fairness, facts without rigor, degrees without erudition, militarism without fortitude, progress without civilization, complication without depth, fluency without content; these are the sins to remember.
I believe that even today we can only tell a simple story without really interfering with gameplay. But in the future, I think it will almost be a requirement of all storytellers when they create games, how they can tell a more complex story without conflicting with the gameplay.
Boredom!!! Shooting!!! Shelling!!! People being killed!!! Despair!!! Hunger!!! Misery!!! Fear!!! That's my life! The life of an innocent eleven-year-old schoolgirl!! A schoolgirl without a school, without the fun and excitement of school. A child without games, without friends, without the sun, without birds, without nature, without fruit, without chocolate or sweets, with just a little powdered milk. In short, a child without a childhood.
The only real reason for self-referencing is the fun factor. It's fun for the writer, getting little peeks at what old characters might be up to. And it's fun for readers to spot a familiar face, or pick up on a made-up book title or something from an earlier story. I don't know that it does -- or even should -- contribute to the story in hand being any better than it would have been without it.
Some people ask why we don't just wait until we have the whole story before posting. The fact is that we sometimes can't get to the end story without going through this process... When a story is up and posted, it's amazing how many people come out of the woodwork to give us additional information... And readers love it.
John Adams and Thomas Jefferson corresponded for 13 years before they died on the same day. They asked, "How can one have prosperity without commerce? How can one have commerce without luxury? How can one have luxury without corruption? How can you have corruption without the end of the Republic?" And they really didn't know the answer.
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