A Quote by Gerald Vizenor

Trickster stories are pleasurable, contradictory, annoying, abrasive. They're powerful, transformational acts of liberation because they are not nailed down to the real, to the representation of something in the world.
With my representation of a black woman in the world today, there's such a powerful response from my community about what it means to have black representation on television. That response is so overwhelming and so strong that I just have to express my own gratitude for it, because I understand the necessity for it.
Whatever is not nailed down is mine. What I can pry loose is not nailed down.
If it is not nailed to the floor, it's mine. If I can pry it loose, it is not nailed down.
Whatever is not nailed down is mine." This is the motto of the exploiter. "Whatever can be pried loose is not nailed down." This is the second maxim in a country where people are rich, caring little in their present prosperity what shall become of the future.
Because here’s the thing: No matter how much one tells stories of magical beasts or impossible worlds, in the end, it is always the world of here and now one is writing about. The better one understands that world, the more powerful the stories will be.
The imagery is very much released from reality. It's not nailed down to specifics of the words. They're painting a picture, not telling linear stories.
There is something very fragile about the beginning stages of psychic development. Eventually, one becomes very strong and the cushioning isn't as necessary. It's still logical because we live in an abrasive world.
If you work hard at anything, you're going to experience some success. And the greatest gift is when you have something you really love to do and you can integrate that into your work life. I feel like it's a real privilege that I get to do something that is good for my community and good for the world. But it's also pleasurable for me.
The trickster's function is to break taboos, create mischief, stir things up. In the end, the trickster gives people what they really want, some sort of freedom.
... despite the limitations and problems inherent to photographic representation (and especially the representation of politics), it remains for me the most powerful and engaging medium today - one central to the development of cultural dialogue.
I think that indignation is pleasurable, and it's pleasurable because it's self-righteous.
I had motives for not wanting the world to have meaning; consequently assumed that it had none, and was able without any difficulty to find satisfying reasons for this assumption ... For myself, as no doubt, for most of my contemporaries, the philosophy of meaninglessness was essentially an instrument of liberation. The liberation we desired was simultaneous liberation from a certain political and economic system, and liberation from a certain system of morality. We objected to the morality because it interfered with our sexual freedom.
It's very powerful to shut down your computer and escape into the real world.
Light-field photography is a transformational technology that needs a transformational product to introduce it. For the first time, we have a light-field camera that's going to be for everyone - not something in a huge room in a research facility.
Real life is generally much duller and inevitably sadder, most of the time. In film, you control everything that's going on, so you can indulge the most fantastic, romantic, escapist feelings and fantasies. You can do anything you want. That's why it's very seductive and pleasurable to earn your living making movies because you're not living in the real world.
Form is sometimes considered a mere spice added by the artist to the representation of objects in order to make it pleasurable.
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