A Quote by Gerard Way

Thinking visually is my starting point, and then the writing happens. — © Gerard Way
Thinking visually is my starting point, and then the writing happens.
What's funny about that is when I was writing Twilight just for myself and not thinking of it as a book, I was not thinking about publishing, and yet at the same time I was casting it in my head. Because when I read books, I see them very visually.
Analysis Is the Critical Starting Point of Strategic Thinking
As children, as we learn what things are, we are slowly learning to dismiss them visually. As adults, entirely submerged in words and concepts, we spend almost all of our time thinking and worrying about the past and the future, hardly ever looking at or engaging with the world visually.
As a scientist, the starting point is always the facts of the matter, whereas often, in politics, the starting point is how does this play in the next election.
A lot of people we tell the story to assume that the Four Horsemen of the Apocalypse were actually part of the original Washington Irving story, which only happens to be 17 pages. It's a great starting point, and then we built on it, very much in a logical progression.
When this awareness grows, dreaming stops, by and by. When this awareness grows, the wheel moves slower and slower, because there is no point. You never move, so what is the point of travelling the whole earth? You remain the same; then desires slow down. One day it happens: the wheel is as silent, as unmoving as the hub. That is the point when enlightenment happens.
The pessimism of the intellect is the starting point for struggle. It's not the end point, it's the starting point. You have to make something critical to make it meaningful, to make it transformative.
Writing is the starting point from which all goodness (and crappiness) flows.
Good writing is writing and rewriting and rewriting and rewriting. Sometimes, it happens to work right away, and that's amazing. But most of the time, it happens to work, and then you rewrite and rewrite and rewrite, and maybe it even comes back to the thing it was in the first place, but then you know for sure that it is good, and it's what you wanted to do.
A logic proof is: you get a starting point and an ending point, and you have to get there through all these different steps and tautologies. I approach novel writing that way. When I get to the end I have to go back and connect everything.
I had at some point the epiphany that if I wanted to be a writer, maybe I should stop thinking about writing, or stop writing about writing, and actually write.
You have to have an eye and a feeling for where things go. Writing visually, writing textually, writing sonically. Text is visual for me and images are textual. There is power in the way ideas are arranged, not just developed rhetorically. Form is everything.
Writing is the hammer & chisel that breaks down the established way of thinking. A concrete event, then an abstraction. An image, then a thought. Finally, writing builds another establishment with the fragments.
When I write my scripts, there's a point at which if I'm not starting to see them visually, I feel like I'm kind of cheating. So my scripts are laden with a lot of visual description, which makes them not so much fun to read - I kind of weigh them down.
Maybe there is a feeling that women get judged more about how they look and how they present themselves visually as opposed to what they are thinking and feeling. Especially as a female performer that happens a lot, and I think that is regressing even more, which I find really sad.
Obama's starting point was not as low as Manmohan Singh's starting point, and Obama's rise was not as sharp.
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