A Quote by Gerard Way
It's cool if people want to make movies of stuff, but I'm really interested in the comics.
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I live making comics. Comics is an industrial art but less suffering, because comics are for young people who are more adventurous. I do that. I live off comics, and then I write books, but when you want movies, you cannot make movies without money.
I think comics in New York are interested in being comics. And there're comics in L.A. who are touring comics, who are certainly more interested in stand-up, but a lot of L.A. stand-ups are really looking to do something else.
Mainly horror movies and exploitation movies and a lot of stuff comes from those press books from those old movies. Lines out of old movies, comic books that we collect, all the old horror comics of the 50s, probably about the only comics that we collect are obscure horror comics, the real sick ones from the 50s. Some stuff comes from there but mainly just old records, old rockabilly records and that stuff, singles mainly, 45s.
I tried [being a mogul]. It bores me. I don't really want to produce other people's movies. Because they're either grown-up filmmakers like Steven Soderbergh or Kathryn Bigelow that didn't really need me - and I've produced both of them. It's fun to sit around with them and be collegial, but they don't need me. They can make the film without me. I make my own stuff. There are tons and tons of other things I'm interested in that have nothing to do with movies or are documentary projects.
The comics of course, help the movies, because all of the comic fans want to see the movies. And the most amazing thing about it is these movies seem to appeal to young people, to old people, and to people all over the world. They're as popular in China and Latin America as they are here. That's really amazing and gratifying.
I was never that interested in movies. I was interested in them as a thing, but I didn't want to make movies. I always wanted to draw and paint.
If you want to be a person who buys stuff at the dollar store, you can be that person. If you want to make really cool stuff on your desktop and be the manufacturer, that is a lifestyle.
I want people to see my movies. My talent, my sensibilities are what people want to see in the movies... While I have the talent to make the kind of movies people want to see I want to continue to do that, keep making big pictures and make what I love. I’m really just making the films I want to see. There’s not a strategy.
With the tone of the show, like a lot of the films, the Marvel creative team has found a way to bridge really exciting stuff that has real stakes. They balance some of the action stuff that the fans of the comics really want to see with characters that people can relate to and who are very human.
People think I have an interest in comics, but I'm only interested in comics from the '40s, like 'Donald Duck' comics.
When I think about the stuff I've turned down or the stuff I wasn't interested in, I don't have any regrets. Yes, there were some movies that went on to be really popular. But now, how do they really fit into things?
Becoming a producer enables you to empower yourself, to make the film that you want to make. I have desires to make movies - I have movies I'm developing, and things that I'm interested in.
I want to make stuff. I want to make movies and direct stuff and produce stuff and write stuff.
When I think of the definition of cool and when I look at people, John Travolta is really the definition of cool because, not only is he great in all his movies, but, as a person, he's just really cool.
I want to make a bunch of small movies. I'm really interested in that for me in the future.
I don't want to speak for my movies; you could say my movies are just completely silly and dumb, but in the case of 'Idiocracy' and 'Borat,' without a doubt there is a really subversive and sophisticated assault on American culture. It's one thing to mess stuff up and break stuff, but [Borat] is really pointing out the ideology of America. It's one thing to break stuff and damage people's possessions, but when you start aiming at the ideology of America, that's dangerous comedy.
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