A Quote by Jeremih
I'm a percussionist, so that's most of what I know when I attack a record. Melodically, knowing the keys - my first love - that makes the perfect blend.
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Women, aren't they perfect? It doesn't matter if they're fat, skinny, blond, or blue. If a woman is willing to give you her love, Harvard, it's the greatest gift in the world. Makes you taller, makes you smarter, makes your teeth shine. Boy-oh-boy women are perfect, perfect joy and perfect ache. Joy when you first meet them and get to know them. Ache when you leave them. Joy. Ache. Joy. Ache. Joyachejoyachejoyachejoyache.
The bottom line is that (a) people are never perfect, but love can be, (b) that is the one and only way that the mediocre and the vile can be transformed, and (c) doing that makes it that. Loving makes love. Loving makes itself. We waste time looking for the perfect lover instead of creating the perfect love. Wouldn't that be the way to make love stay?
The true cook is the perfect blend, the only perfect blend, of artist and philosopher. He knows his worth: he holds in his palm the happiness of mankind, the welfare of generations yet unborn.
Hollywood wants to make women so perfect. Perfect hair. Perfect job. Perfect manners... I know some of the most beautiful women, and they are so weird. That's what makes them funny and captivating.
I played a lot of keyboards, but I really wanted to produce the sound that was in my head that I was trying to emulate on the keys. I wanted to do it for real. And it makes me look at the keys in a different way. So it's like I'm looking at the guitar and bass more like meat and potatoes and keys like coloring over top of it, you know.
I think love is one of the most elusive things in the world. I don't know that there's a perfect formula for it and that's what makes the stories interesting.
People want to be the first with the record, they want to be the first to know which songs are on the record, all that kind of stuff. So I like to just stall them a bit. Personally, I love the idea of an album that's completely new, that no one's heard any free downloads, any pre-record releases, all that kind of stuff, and nothing's been played on the radio. Totally virgin, you know, a sealed record. That's my ideal, but it's very hard to get anybody else to agree to do that.
It takes the black keys and the white keys both, to make perfect harmony.
Always attack. Even in defense, attack. The attacking arm possesses the initiative and thus commands the action. To attack makes men brave; to defend makes them timorous.
Rather than highlighting music's differences, Kids & Explosions' Josh Raskin mixes songs together based on their surprising common ground, making them blend rhythmically and melodically.
Loretta, I love you. Not like they told you love is, and I didn't know this either, but love don't make things nice - it ruins everything. It breaks your heart. It makes things a mess. We aren't here to make things perfect. The snowflakes are perfect. The stars are perfect. Not us. Not us! We are here to ruin ourselves and to break our hearts and love the wrong people and *die*. The storybooks are *bullshit*. Now I want you to come upstairs with me and *get* in my bed!
The first album is a special one for most bands or most artists in general. The first record is your whole life, and then after that you have a couple of months to write stuff and get it for the next record.
I love to play in the different keys like B or F sharp, or keys that most people don't play in, because they have a better resonance or something. I'm really not fond of F and C. I just stay away from those if I can.
There isn't a single artist out there, I'm sure, who wouldn't take the most perfect record deal. If the right record deal came along, like, the perfect deal, we'd definitely take it.
If I play the melody, even if I play it in an abstract manner, it's instantly recognizable. Even when I was studying to be a classical percussionist, I think I was a more lyrical percussionist; melody is the heart and soul of the music.
I cross my arms. "It was a two minute conversation." "I don't think a smaller time frame makes it less unwise." He furrows his eyebrows and touches the corner of my bruised eye with his fingertips. My head jerks back, but he doesn't take his hand away. Instead he sighs. "You know, if you could just learn to attack first, you might do better." "Attack first?" I say. "How will that help?" "You're fast. If you can get a few good hits in before they know what's going on, you could win." He shrugs, and his hand falls.
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