A Quote by Jeremih

I got archives of records. I have records from when I was 17 that I still think are pretty dope. — © Jeremih
I got archives of records. I have records from when I was 17 that I still think are pretty dope.
My dad would play me all of these records: Miles Davis records, John Coltrane records, Bill Evans records, a lot of jazz records. My first exposure to music was listening to jazz records.
I've put out records over the years, whether it's with Blackfield or No-Man or Bass Communion or Porcupine Tree, that are pop records, ambient records, metal records, singer-songwriter records.
I can work with all these different kinds of artists and still be able to come up with huge records. Not just cool records, but game-changing records.
I was going to tape some records onto a cassette, but I got the wires backwards. I erased the all of the records. When I returned them to my friend, he said, "Hey, these records are all blank."
When I was a bit older I had all of the George Carlin records, all of the Steve Martin records, all of the Cheech and Chong records and all of the Richard Pryor records.
A lot of those early blues records and soul records were pretty much live. It was what it was, and they had goofs and mistakes, but it still kept its charm. We have to remember to keep the feel. It's so important.
Wray's FBI is stonewalling on Clinton email investigatory materials, Strzok-Page texts, Comey records, McCabe records, FISA court abuse records, Spygate records.
If you listen to really deep ambient records that don't move too much, very still records, long after those records are finished, you might find yourself listening for hours to the sound of the room.
People still come up to me and ask me to sign their records. That's right, records! Man, they don't even make records no more!
I guess the revival of vinyl records is not helping the environmental problem. Although, in some ways, people don't throw records away - I mean, I still have records from when I was 5. So it doesn't seem quite so wasteful. But maybe I'm just lying to myself.
In rock n' roll, we don't sell records at all like we used to. Yet the artist still has to pay to make records. So you've just got to get out on tour and be smarter about your merchandising.
I've never had anybody produce my records. I've always produced my own records. I've worked with a guy for a while who was an engineer who helped me produce records, but I've always made my own records. I'm a control fanatic. I've got to control everything.
We made records to document ourselves, not to sell a lot of records. I still feel that way. I put out a record because I think it's beautiful, not necessarily commercial.
Records have images. There are wet records and dry records. And big records.
People will always have the desire to make rock and roll records, and they'll always have the desire to sell rock and roll records. Most of the people making these records do it because it is a business, and if someone says, "You can't do this", they won't complain. They'll just keep making records, but they'll get blander and blander. There'll still be rock and roll, but compared to what it really could be or ought to be, I don't think it'll be all that terrific.
All the records I've made have pretty much been big club turntable records. You need to feel the rhythm.
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