A Quote by Jeremy Sisto
In the case of 'Ice,' in the beginning when I got the script, felt like a show that was searching for what it is, and what they knew or what felt palpable to me was that this character, Freddy Green, was going to have the biggest journey.
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We knew from the beginning the level of commitment needed. We felt honored to work with Stanley Kubrick. We were going to do what it took to do this picture, whatever time, because I felt - and Nic [Nicole Kidman] did, too - that this was going to be a really special time for us. We knew it would be difficult. But I would have absolutely kicked myself if I hadn`t done this.
I felt about life and the way I felt about my children was so deep and profound. It was the first time I'd felt anything like that. I knew as an artist that it was going to make a huge difference in everything that I did.
So initially getting up on stage I was really nervous, I was like, 'wow, I'm going to be standing there and all these people are going to be looking at me?' But funnily enough it wasn't too traumatic. It felt quite natural because I felt I looked good and I knew how to do the poses.
Like magic, she felt him getting nearer, felt it like a pull in the pit of her stomach. It felt like hunger but deeper, heavier. Like the best kind of expectation. Ice cream expectation. Chocolate expectation.
Years ago I was going to play Chet Baker in another movie and I really felt drawn to that character and the script is good and I met with Robert and we seemed simpatico and we developed. But I had a real passion for that role and that brought me deep into that film 'cause I got the sense that Robert Budreau was going to really let me be creative inside this part.
I wanted to build respect with my peers... I felt like I had done that throughout my WWE career. I really felt it and knew it was there when I got injured.
I definitely had to be talked into 'American Pie: Reunion.' I was hesitant because I'm on a show, and I felt, 'I'm happy. I've got my family.' But then I met the directors, who also wrote it, and once I read the script, I was like, 'OK, sign me up.'
I felt like everyone was shitting on me, like, "She didn't get that deal with Interscope. She got dropped! She won't get another project!" making it so much worse then any of it really was. I felt like they wanted me to fail and I thought, I'm not going to go anywhere. I'm going to get my glory. I'm going to get my shine.
I knew [Jesse Owens'] name, but I really didn't remember what it is he had done, so I felt like I had to get refreshed. So I read the script and I realized like, wow, this is an incredible human being. I told my manager, however I had to do it, let me see the director; I got to play him.
Sometimes I felt lonely because I pushed people away for so long that I honestly didn't have many close connections left. I was physically isolated and disconnected from the world. Sometimes I felt lonely in a crowded room. This kind of loneliness pierced my soul and ached to the core. I not only felt disconnected from the world, but I also felt like no one ever loved me. Intellectually, I knew that people did, but I still felt that way.
I don't think I've got a thick skin, but I've not felt particularly humiliated by the things which people think I would have felt humiliated by, such as losing my seat in 1997 and not being elected leader in 2001. In the second case, I felt relieved.
Someone once pulled me aside and said it was all right to succeed, and I realised that I knew what failure felt like, but I didn't know what success felt like. I've carried that with me ever since.
When I won the Super Bowl I thought I was going to be, like, extremely happy. But then I really just felt like, 'Well, this is it?' I felt like I got bamboozled.
I guess I always knew going into the movie that casting that part would be difficult. Oliver just felt likeable. I felt it would be hard to dislike this man. I don't know why, but I'm sure other directors have felt the same when casting him. Oliver is goofy yet formidable, smart but likeable... I didn't want the character of Alex to be nasty or demonised. I wanted him to be struggling with his actions.
What it felt to me was like the dissolution of my idea of myself. I felt like separateness evaporated. I felt this tremendous sense of oneness. I'm quite an erratic thinker, quite an adrenalized person, but through meditation, I found this beautiful serenity and selfless connection. My tendency towards selfishness, I felt that kind of exposed as a superficial and pointless perspective to have. I felt very relaxed, a sense of oneness. I felt love.
When I was little, I loved books that gave me lots of detail so that I felt like I could be transported to this other place, or, in the case of an illustration, I felt like I could walk into the page.
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