A Quote by Jeremy Sisto

If I had met Judd Nelson in my late twenties, I would have been pretty enamored! — © Jeremy Sisto
If I had met Judd Nelson in my late twenties, I would have been pretty enamored!
Mia and I had been together for more than two years, and yes, it was a high school romance, but it was still the kind of romance where I thought we were trying to find a way to make it forever, the kind that, had we met five years later and had she not been some cello prodigy and had I not been in a band on the rise - or had our lives not been ripped apart by all this -I was pretty sure it would've been.
I've worked with Judd since 'Undeclared,' and once you work with Judd you never stop working with Judd.
Ultimately, I think the United States is a pretty awesome country but it very plausibly would have been even awesomer had English and American political leaders in the late 18th century been farsighted enough to find compromises that would have held the empire together.
I was a cover artist for years. I didn't start writing songs until I was in my mid-twenties. I wrote them with John Leventhal, and they were pretty bad. I was in my late twenties when I wrote the first song with him that made any sense to me about what I was rooted in and what spoke for me as an artist. That was 'Diamond in the Rough.'
I worshiped Judd Nelson in 'The Breakfast Club' growing up. I must've seen that movie 100 times.
I had been to São Paulo the year before and became pretty well acquainted with the music of composer Antonio Carlos Jobim, I had already started playing that music, and the audience response had been pretty good because those songs are so melodic. I knew it would be something that would be appealing; I wasn't thinking that it would make the top of the pop charts or anything like that.
If Willie Nelson had been Rosa Parks, there never would have been a civil rights movement in this country, because he refuses to leave the back of the bus.
I know that when I grew up I was pretty sheltered, and didn't come to understand much about the world until I was in my really late teens and early twenties, and that process continues.
If I hadn't been famous, I would not have been invited on the TV show where I met my husband Sven and had my lovely boys. I would not have had the life I have now.
I lived my twenties in a very public manner and if anyone's twenties are documented it's not always going to be pretty.
By that point, it’ll have been more than year since I met Lulu. Any sane person would say it’s too late. It already felt too late that first day, when I woke up in the hospital. But even so, I’ve kept looking. I’m still looking.
I am haunted by what my life would have been had I not had the courage in my early twenties to leave Pittsburgh for New York City and really commit to being a writer. Pittsburgh is both post-industrial and provincial, and the opportunities there are limited. It would have been quite easy to simply drift through life.
I think around that time I met David [Gordon Green] or, well, we all met at Superbad and Judd [Apatow] said, 'I'm thinking about having him direct [ Knocked Up].' Sounded like a good idea.
If this TV success had come in my twenties and I'd become a heart-throb, I would have been very stupid. I would have got into a lot of situations that I really wished I hadn't.
China was the most optimistic place I'd ever been. Everybody I met was pretty much convinced that their children would have it better than their parents had had it. It was like being in America in the 1950's, with this deep optimism about the future because everything was getting better, and that fascinated me.
I've met lots of interesting people, but Lucian Freud is the one who sticks out because I spent so much time with him. He taught me discipline, which I hadn't been taught properly before. If I was, like, two seconds, late, he would kick off. Once, I was three minutes late, and he went absolutely berserk.
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