A Quote by Jerry Saltz

Nearly a half-century on from feminism, simply being a woman artist is still a revolutionary act. And getting one's work shown continues to be met by enormous inbuilt resistance.
It is easy to forget, since the Catholic Church is now the only large American religious denomination whose ecclesiastical hierarchy continues to oppose birth control, that only a century ago the leaders of nearly all churches were united in their resistance to any public discussion of the subject.
being chic not only takes a great deal of money but an enormous amount of time. It practically precludes everything else, even being on charity committees. Half of one's time goes getting chic, the other half being seen that way.
The simple act of telling a woman's story from a woman's point of view is a revolutionary act: it never has been done before.
I'd never met a woman I considered as intelligent as me. That sounds bigheaded, but every woman I met was either a dolly-chick, or a sort of screwed-up intellectual chick. And of course, in the field I was in, I didn't meet many intellectual people anyway. I always had this dream of meeting an artist, an artist girl who would be like me. And I thought it was a myth, but then I met Yoko and that was it.
Photographs are still being taken but aren't being shown. There's one of a skeleton bound at the wrists with pants still around its ankles; if it was a woman, she was likely raped; if it was a man, he was possibly castrated.
It is the woman - nearly always - in spite of all the advances of modern feminism, who still takes responsibility for the bulk of the chores, as well as doing her paid job. This is true even in households where men try to be unselfish and to do their share.
The political currents that topped the global agenda in the late 20th century - revolutionary nationalism, feminism and ethnic struggle - place culture at their heart.
I believe that telling our stories, first to ourselves and then to one another and the world, is a revolutionary act. It is an act that can be met with hostility, exclusion, and violence. It can also lead to love, understanding, transcendence, and community. I hope that my being real with you will help empower you to step into who you are and encourage you to share yourself with those around you.
It has not been without bitter resistance by the clergy that woman's property and educational rights have advanced. Woman's anti-slavery work, her temperance work, her demand for personal rights, for political equality, for religious freedom and every step of kindred character has met with opposition from the church as a body and from the clergy as exponents of its views.
Practicality continues to be a challenge for me - it's at odds with being an artist. I actually had a career on stage in New York - not a brilliant career or I'd still be doing it - but I got enough work to keep my agent and my union health insurance.
In this simple but profound psychological way Scripture tells the history of the fall and of the origin of sin. In this way sin continues still to come into being. It begins with the darkening of the understanding, continues with the excitement of the imagination, stimulates desire in the heart, and culminates in an act of the will
The nineteenth-century wave of feminism was started by older women who had been through the radicalizing experience of getting married and becoming the legal chattel of their husbands (or the equally radicalizing experience of not getting married and being treated as spinsters).
I think feminism has always been global. I think there's feminism everywhere throughout the world. I think, though, for Western feminism and for American feminism, it not so surprisingly continues to center Western feminism and American feminism. And I think the biggest hurdle American feminists have in terms of taking a more global approach is that too often when you hear American feminists talk about international feminism or women in other countries, it kind of goes along with this condescending point of view like we have to save the women of such-and-such country; we have to help them.
After a half-century of hard work and reflection the wall is still there.
At the moment of greatest love, there is greatest fear, and at the moment of enormous repression, there is resistance, and therefore a chance at revolutionary change.
Why cannot a woman be shown working out of choice, the way men do? Can't a woman work because she enjoys it and is capable of doing it? Why should they be shown leaving home for employment as a sacrifice for the family?
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