A Quote by Jesse Plemons

I think it would be fun to walk around in Bill Murray's mind for a while. — © Jesse Plemons
I think it would be fun to walk around in Bill Murray's mind for a while.
Chevy Chase and Bill Murray - we thought those guys were funny. We love Bill Murray, but we didn't think they were right for Airplane! because it would step on the joke if there was a known comedian.
I think: 'Wouldn't it be great to work with Bill Murray?' And then I'm like, 'You know what, just appreciate Bill Murray from afar, don't find out that maybe he's not the dude you want to work with.'
You know what the truth is? You don't find Bill Murray. Bill Murray finds you.
I love Bill Murray, but I'm not quite Bill Murray. I wish!
I always thought that Seth [Rogen] was a fun, caustic, bombastic, sweet, underdog-type of person that I would root for the way you used to root for Bill Murray or John Candy in "Stripes." Seth had something that very few people you encounter have: he had a writer's mind and he had his own comic point of view.
I can't stand toe-to-toe with Bill Murray. It's very hard, because just looking at Bill - he's 6'3", and he just stares at you, and you have no idea what's going on inside that mind of his.
I would love to work with Bill Murray. I've always been such a big fan. I think he's obviously a great comedic actor but a really interesting actor.
["Where the Buffalo Roam" is] horrible pile of crap. [Bill] Murray did a good job. But it was a bad script. You can't beat a bad script. It was just a horrible movie. A cartoon. But Bill Murray did a good job. We actually wrote and shot several different endings and beginnings and they all got cut out in the end. It was disappointing.
He really just wanted to go about his business. I would put Eddie Murray in the same category as Andre Dawson. He would like to kid around with the press and (be surly), but he was a total professional. I see why he is a Hall of Famer. I am just glad I had the pleasure of playing for Eddie (Murray) for one year.
Even when I'm just sitting at my desk, I have to get up every twenty minutes or so and walk around, walk around, walk around, and then I can go back to the page. I can't just sit there for hours at a time. Language comes out of the body as much as the mind.
When I've written for Bill Murray - I've written six films for him - people would read it and say, "Oh, that's so perfectly Bill." He'd read it and say, "Are you kidding? I can't say these words." So it's all about perception.
Certainly early on, I kind of modeled myself after Steve Martin and Bill Murray. I would imitate them sometimes.
When you have a performer as talented as Bill Murray or as Harold, that can write as well as they can perform, you can do a final draft on the set if you think of it that way.
It would be great to be able to follow in the footsteps of Bill Murray. I really respect his ability as a comedian, obviously, but even more so as an actor.
I don't know if you hear this often but I would say The Razor's Edge (loosely based on a great W. Somerset Maugham novel). This was Bill Murray's first dramatic role so everyone thought he stunk in this deep character but I thought he and the movie were great. The movie takes place over decades so you see Murray's character go from goofy playboy all the way to wiser, older person. It's basically a movie version of the journey I described.
I would remake 'Club Paradise.' I thought the story was cool, the setting was great. Everything lined up, except I wrote it for Bill Murray and John Cleese.
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