A Quote by Jesse Tyler Ferguson

Me being a shy kid, very closed off, showing vulnerability in a character was sort of a safe space on stage. It's always been in my toolbox, there for me when I need it.
Growing up, I was a very shy kid but I felt that being on stage or playing another character would somehow open me up. And I think it did.
I've been able to perform in front of thousands of people on stage in a character that's nothing like me. I'm very shy.
I was very shy and I was very introverted as a kid, but whenever I set foot on stage, I kind of opened up, and I think a lot of kids need an outlet to express their creativity. And a lot of kids are scared to do that if there's not a safe environment for that.
I was incredibly confident on stage because that's where I loved to be. But offstage, there was no balance. I was a little shy kid that went onstage. And I always said, cocaine was the drug that made me open up. I could talk to people. But then it became the drug that closed me down. So it started out by making me talk to everyone, and then ended up by me isolating myself alone with it; which is the end of the world, really.
I just feel my sexuality is private. I'm very shy about being sexy. That part of me has been so closed to the public eye. I've sold millions of records with my clothes on.
It's so easy to disappear into your character because there isn't all this fuss around you, and we keep a closed set, and closed off to all crew members, even, unless we're cut. A lot of times, you're doing a scene in a movie and there are literally 35 people standing behind the camera all waiting to do their job, but here they have to be off the stage. On The Office, it is very much just the actors, a cameraman and a boom operator, like a real documentary, like we really are being documented.
There is a shy side to me that evaporates when I play on stage, and I like that. I think it's another facet of my character, and I need to do that.
My school has always encouraged students to participate in different competitions and it was my teachers who helped me overcome stage fear as I have always been a very shy person.
Being with a kid always takes you to being a kid somehow, and they really are showing me a childhood I might not have had in some way.
As a kid, I was always very shy growing up - I wasn't very good at articulating my thoughts or my feelings. Now that I'm older, I found acting to do that. So it's been an amazing way to sort of express who I am.
With anxiety and depression, what's been most helpful to me has been learning a toolbox - a set of skills I can use when I'm in periods of low mood or feel an anxiety attack coming on. When Years & Years took off it felt like I needed that toolbox really quickly.
And I was very shy as a kid; if you sang me 'Happy Birthday,' I would cry. Quite shy. So the idea of being an actor, much less a model, was just out of this world.
There's something to be said for being sleepy-eyed. I love sleepy eyes - that sort of vulnerability of being slightly discombobulated because you don't know where you are. But I like that vulnerability. It's sexy to me.
In relationships, I'm usually the one who's like, 'Oh, I don't need this right now. I don't need commitment. I can do well on my own. I'm independent,' and all this stuff, and I realized recently that that was making me really closed off to relationships and just closed off to anyone no matter who they were.
Homophobia is a tough one. In some places it's actually very OK to be homophobic. Comedy clubs in general are very unsafe spaces for LGBT, for women, for Asian people. So my goal in comedy has sort of been to make this a safe space for people who were like me.
I was a very shy kid. Very shy. But I started doing theatre when I was six years old, and that really changed something. My more playful side came out of me.
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