A Quote by Jessica Biel
We lived in Colorado, and my parents were outdoorsy mountain people. My father would always say, 'Go out and don't come back until you have something to show me.' Which meant he wanted me to come back with a scraped knee or an injury. When I went out to play, I felt like I'd better get hurt.
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Home is home wherever you grow up generally speaking. Unless you're one of those people who always wants to get out of a small town and do something bigger with your life, which I always did but I always wanted to come back, so home is home and its a great place for me to come back and escape the hustle and bustle of the life that I live.
I've always wanted to do a segment on a talk show. Jay Leno has been such a good friend, and if he would allow me, I'd have to get it all together, but I'd like to go on 'The Tonight Show' and do a set with no props. Or come out with a trunk and never touch it. Or come out with a clear trunk with nothing in it.
As a youngster, my mother and father always drilled into my head having something to fall back on. My father was kind of funny. I'd score 40 points. I'd come home and say, 'Look dad, I scored 40.' He'd never have a smile on his face. He'd be like, 'I saw that move you did. What if you'd hurt your knee?'
From when I was 7 until I was 22, I played football. That was always my struggle as a kid. I always wanted to be an artist, but my parents were divorced, and my dad really wanted me to play sports, and that's how I got to see him. He would come pick me up or take me to practice, and he was always at my games.
I guess I've always lived upside down when I want things I can't have. My wife actually thinks I have a syndrome called Reality Distortion Field. It's kind of like drugs, only you can't come back from it. Reality Distortion is almost a permanent condition. Things come in and they go out: Presto, chango! To a certain extent, I did that with myself. As a kid, I did want to be an old-timer, since they were the ones with the big stories and the cool clothes. I wanted to go there. Now, I guess I want to bring that with me and go back in time.
I encountered producers who wanted to hang out after we worked, and when I refused, they wouldn't let me come back and work again... I would've have way more opportunities if I had succumbed. But it never felt right. I always felt like I was going to be successful, and I didn't want to compromise my morals.
My parents were Hungarian immigrants; my father was a tailor and we lived in the back of a tailor store. And that was my first inkling of what it was like to be raised in America. It had a profound effect on me - I saw different people coming in all the time with different attitudes and I liked it. And as I grew older, I found that I was able to use something inside of me to get some sympathy if I wanted it. I used to shine shoes, and I would use a waif-like look. I'd get a dime and I'd be as happy as could be.
And when we used to play and fight in the streets in Brooklyn and I would get hurt or something, my mother would always come out and save me. So that sort of postponed the inevitable about getting a good beating, without having somebody to come and save you.
If I had a million dollars, I just wouldn't just completely set back. I'd have to get out there and show my face to all these good people who like me, I have to get out there and show my face. The only thing that would set me back if I get sick or something or pass away, that's all you can do about that you know. But as long as I got my health goin' pretty good, I'll show up around here.
When I broke my knee, no one cared how I was; they just wanted me to get better and come back to gymnastics to win more medals for their country.
My father is an actor, so he brought me into his agency when I was young. It wasn't something I wanted to do until high school, when I started taking theater and really liked it. Then an agent found me and wanted me to come out to Los Angeles and give it a shot. I gave myself six months, but it only took me like a week to get a job.
We'll go out and we'll be playing in front of 15,000 people and say, 'Hey, we're going to do three new songs from something we just recorded' and 5,000 people get up and go get a hot dog and a beer and they don't come back until they hear the opening strings of 'The Joker' or 'Fly Like an Eagle.'
Tennis was always there for me, which was lucky. I would go play baseball, basketball, football, hang with my brother, do whatever, and at the end of the day I'd come back and say, 'Hey, Mom, would you hit 15 minutes worth of balls with me?'
My first loan spell I was 18. I went to Crewe, and I felt I'd scored all these goals for Liverpool's youth teams and I'd go to League One and it would be the same. I quickly found out that it wasn't. It took me to come back, captain the U23 side for a year and a half to really get my confidence back.
My parents were ambitious people, my father especially, whose entire life was devoted to rising above, but his ambitions were defeated long before death finished them off, and so when he died, he came back to where he started, but he didn't come back home, because there was no home to come back to.
I’ve come in and out of America for… well, I’ve lived here for 15 years. And I’ve played here for nearly 30 years. On and off. But I’ve always played to my fan base. And I can come and do two or three nights in New York or two or three nights in L.A., and all that. But when I go away, nobody knows I’ve been gone. You know, I don’t get reviewed or anything like that. So that’s why I’ve come back and done a longer time in a smaller place, in New York. It’s always the people who live here that get a chance to know me.
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