A Quote by Jessica McDonald
I'm not just working for myself anymore. I'm working for my kid as well, someone who's actually looking up to me on a whole other level than the younger generation.
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[Working with survivors] it's just a whole different level of concern and that is something that was categorically different working on this film than any other project we had done.
Every day I wake up, and I think about the wear and tear on my body, and will I be able to continue to perform at a high level. Sometimes I'm working with guys that are 15 years younger than me, 20 years younger than me.
When I was younger, my whole sense of self-worth was based on whether or not I was working, which was awful. And I had a baby at 20 years old, so it wasn't just about me. At around the age of 30 there was a stretch where I wasn't working - certainly not on anything I liked, anyway - and I started to do other things.
I also feel that the only thing more gratifying than working with someone who you've worked well with is working with someone new and coming up with something great.
In photos, I don't know who the real me is - it's all pretend, just pretend. There's not much of myself in my work. If I'm looking in the mirror and I'm working, I'm looking at my make-up and my hair. It's not the same as looking at myself.
I'm drawn as well to the lower echelons of things because it struck me a long time ago that it didn't really matter on what level people were working on anything; it was just as important to them as the people working on what's perceived as a higher level.
I'm a third generation Californian, and there's a lot of talented, good-looking guys in California, so I'm just happy to be working and lucky to be working.
Well technology has changed a lot of things, making it possible for just about anyone to make music. But not everybody is a songwriter, so that puts me in a completely different ballpark than the other DJs out here that are writing and producing tracks. I don't stop at tracks, I try to complete the whole package with the song. So working at that level has put me in a completely different place.
When I was younger, I looked a lot older than I was. They have these working laws in England where you have to be 16: if you're over 16, you don't have to be restrained by working hours and things like that. In America, it's actually 18.
My life doesn't change. I still have to go out and work hard every day, and do the best that I can do. I'm a third generation Californian, and there's a lot of talented, good-looking guys in California, so I'm just happy to be working, and lucky to be working.
When I was younger, I didn't have that type of person that I could look up to and be like, 'OK, this is someone who dresses like me and I relate to.' I didn't have that growing up, so to give that opportunity to a younger generation of women - and not just Somali women, but anyone who feels different - that means a lot to me.
For me, because I've been working out since I graduated college, I have to mix it up. But it's not just working out for health's sake; it's also a whole mindset for me. Yoga is really important for that.
I'm very sensitive about being held up as some sort of example. I don't consider myself any sort of role model at all. I have great advantages over many other working women, and my schedule allows me more time with my kids than many working women have.
When I was younger, I'd make a point of driving to the middle of nowhere and spending an evening with just me, the wind, and the moon. Your skin crawls up an octave. This is what I tap into when I'm working on horror films. I'm just afraid a time will come when I lose touch with that part of myself.
I think it's really important to have inter-generational relationships right; some level of communication between us silver-backed gorillas, who have been looking at and working on these problems for years, and the next generation of problem-solvers. And it's happening. So it's a very exciting time because of it. And a lot of the young people I'm working with, it's very exciting. Their enthusiasm, the revolutionary nature of what they're doing, what they're being driven by.
The McCarthy period came along...and many of the other scientists who had been working on these same lines gave up. Probably saying "Why should I sacrifice myself? I am a scientist, I am supposed to be working on scientific things, so I don't need to put myself at risk by talking about these possibilities." And I have said that perhaps I'm just stubborn... I have said "I don't like anybody to tell me what to do or to think, except Mrs. Pauling."
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