A Quote by Jessica Savitch

In real life, events seem much less dramatic. — © Jessica Savitch
In real life, events seem much less dramatic.
This is not remarkable, for, as we know, reality is not a function of the event as event, but of the relationship of that event to past, and future, events. We seem here to have a paradox: that the reality of an event, which is not real in itself, arises from the other events which, likewise, in themselves are not real. But this only affirms what we must affirm: that direction is all. And only as we realize this do we live, for our own identity is dependent upon this principal.
You're trying to dramatize events to tell a story most effectively. That doesn't mean the events aren't true, it just means you're making them as dramatic as you possibly can.
I get photographed at events and it must look like that's my life, but it's not. That's not real life. I wonder do the Kardashians have any real life?
I'm more interested in character than events. I've observed that about myself as a writer. I find events, even the most dramatic sort, not to be such fertile ground.
As we grow old, we become aware that death is drawing near; his shadow falls across our path; the realities of life seem less crude than of yore, they touch our senses less intimately, and they lose much of their poignancy.
I am convinced by the events of the last few weeks that nefarious forces of people--unidentified but no less real--are threatening life as we know it, and in fact, may be bent on unraveling the very fabric of our existence.
The courage of life is often a less dramatic spectacle than the courage of a final moment; but it is no less a magnificent mixture of triumph and tragedy.
I'm no less focused than any of my peers. They live a different life. They go home; they are not pictured at events. I train just as much as them, maybe more.
Any life will seem dramatic if you omit mention of most of it.
At times the world may seem an unfriendly and sinister place, but believe that there is much more good in it than bad. All you have to do is look hard enough. and what might seem to be a series of unfortunate events may in fact be the first steps of a journey.
A disturbing possibility exists that the television experience has not merely blurred the distinctions between the real and the unreal for steady viewers, but that by doing so it has dulled their sensitivities to real events. For when the reality of a situation is diminished, people are able to react to it less emotionally, more as spectators.
Now let's move on to the subject of how a real man treats his wife. A real man doesn't slap even a ten-dollar hooker around, if he's got any self-respect, much less hurt his own woman. Much less ten times over the mother of his kids. A real man busts his ass to feed his family, fights for them if he has to, dies for them if he has to. And he treats his wife with respect every day of his life, treats her like a queen - the queen of the home she makes for their children.
They should be required to be in less events; there should be less events for the women. It seems it takes an actual meltdown on the court or women quitting the game altogether before they realize there's a need to change the schedule.
But in the end, we learn we can forgive most people. The cushion of mortality makes their wrongdoing seem less dark, and whatever roads they traveled seem less foolhardy.
We seem to live in a world where forgetting and oblivion are an industry in themselves and very, very few people are remotely interested or aware of their own recent history, much less their neighbors'. I tend to think we are what we remember, what we know. The less we remember, the less we know about ourselves, the less we are. (Interview with Three Monkeys Online, October 2008)
I think it's much harder to make dramatic films, and much harder to create a film that's engaging, where you're actually properly looking at real characters and subtleties.
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